"I should think to the very beginning!" Lady Rawlinson remarked. And amongst these curios are rare jade bowls of white and green, and shining in the midst of all--as big and almost as brilliant as the noonday sun--is the largest ball of pure rock crystal in Europe. An exquisitely-carved rhinoceros horn in the shape of a goblet might possibly come in useful, for the legend associated with it runs that should poison be put in it, and some unkind friend request you to drink, the deadly liquor would disappear of its own accord. We looked in at the small library, and then went into the dining-room. As in the drawing-room, the walls are hidden from view by artistic works--Landseer, Frith, Phil Morris, Müller, Ansdell, Ansdell and Phillip, Hefner, Weiser, Creswick, Sant, John Wilson, Junr., Solomon, and Henry O'Neil--the latter artist's "Return of the Wanderer" being in a conspicuous position. As Sir Robert points them out, he seems to see an unwritten story on every canvas. He singles out the Müller as his greatest treasure, for it was the last and possibly the best work the artist ever chronicled with his brush, and he died eight days after its completion. Pointing to the first study of Frith's "Dolly Varden," Sir Robert said: "Frith painted three 'Dolly Vardens.' One of these was a commission from Dickens in 1844, for which he received £20. When Frith asked Dickens if he wanted the sketch, his reply was, 'No, of course I don't.' That is the sketch which Dickens refused, for which I paid the small sum of fifteen guineas. At his sale the picture, for which he gave £20, realized one thousand guineas. [Illustration: "RACKET." _From the Drawing by Sir Edwin Landseer._] [Illustration: "PINCHER." _From the Drawing by Sir Edwin Landseer._] "Those donkeys on a common are by Ansdell, R.A. I gave him an order to paint me some donkeys, and he painted them in an old churchyard with tombstones. I complained to him in a joking sort of way. "'Oh!' he replied, 'I thought a churchyard was just the place for a sanitary commissioner!' "There is another canvas by Ansdell and Phillip, R.A.--a Spanish scene. Ansdell painted the mule and surrounding landscape, whilst Phillip put in the two figures. The young girl on the mule is Ansdell's daughter. That is Sant's own little girl in the picture called 'The Fairy Tale,' and 'The Gossips' is by Solomon, to which a story was written by Miss Power, the niece of Lady Blessington. Whilst Solomon was painting 'The Gossips' for me, he was engaged on a portrait of Jenny Lind, who, by the way, used to live here in The Boltons. Solomon told me of some of the great singer's odd expressions which she made use of whilst her portrait was in progress of being painted. [Illustration: THE LIBRARY. _From a Photo. by Elliott & Fry._] "'No, no,' she would cry, 'it's not like me! You haven't made my nose big enough. Don't you see my nose is all over my face? Oh! and look at my hair. It isn't green enough!'