The Strand Magazine, Vol. 07, Issue 38, February, 1894: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 07, Issue 38, February, 1894: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
"I was born on 7th March, 1845," he said. "My mother was a daughter
of John Larkin Hopkins, who was a professor of music in the Royal
household of George IV., and held the position of bandmaster of the
Scotch Fusilier Guards for thirty-nine years. He was a fine, stalwart
man, of immense strength, and lived to the ripe age of eighty-two.
My mother, who was one of seventeen children, inherited much of my
grandfather's talent. She was a student at the Royal Academy of Music,
and gained the King's Scholarship for her pianoforte playing at the
age of seventeen. My father was Richard Lloyd, whose good tenor voice
gained for him a vicar choral-ship in Westminster Abbey. I have a vivid
recollection of him, for I think I was his pet child; I know that I had
all I wanted. I was only five when he died, and my mother, with the
utmost devotion, took me in hand with five other brothers and sisters.
She held a very influential musical post at the Ladies' College,
Cheltenham, where she remained for fourteen years; her health gave way,
however, and she returned to London. You have seen in my room upstairs
a picture of the memorial window which those who knew and loved her
caused to be placed in the Great Hall, Cheltenham College."
[Illustration: THE MUSIC-ROOM--HASSENDEAN.
_From a Photo by Elliot & Fry._]
Little Edward, however, lived in London with an aunt, and Mr. Lloyd has
the happiest recollections of the many letters which his mother wrote,
always asking for news of her boy. It was happy news, indeed, when the
mother heard that her little seven-year-old son had joined Westminster
Abbey as a chorister under James Turle, the Abbey organist, who had not
been slow in recognising the great gift of a beautiful voice which had
been bestowed upon the youth. He took him under his special care, and
to-day the great tenor never tires of bearing testimony to the patience
of his first master, who seemed never to weary in instructing him in
the art of which he was so accomplished a master.
Public-domain text, read in full here on John Shaqi.
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