The Strand Magazine, Vol. 17, No. 97, January to June 1899: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 17, No. 97, January to June 1899: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Once started on so strange a set of ideas, the Egyptians proceeded
to evolve a worship of the scarab which grew ever and developed, as
they thought the scarab itself did, practically out of nothing. The
immortality of the soul and the resurrection of the body were the
central ideas of Egyptian religion; the thinkers of Thebes and Memphis
instantly perceived a fanciful analogy between the scarab rising
from its bed of dirt and the mummy reviving when the expected day of
resurrection should at last arrive. As a consequence of this analogy,
the scarab was made sacred: it was reverenced during its life and
often preserved after its death, like the mummied cats and hawks and
sacred Apis bulls which formed such special objects of veneration to
the devout of Egypt. All sorts of mystic relations were also discovered
before long in the scarab: its "toes" were counted as thirty, and
held to symbolize the days of the month: it was said to be male only,
without a female, and so to typify the creative power and the paternal
or masculine principle in nature. Sun-worship, as we know, formed a
large part of the later (though not of the most primitive) Egyptian
religion: and the ball rolled by the scarab was therefore supposed to
personify Ra, the great sun-god. In one way or another, the sanctity
and the mystic implications of the scarab grew and grew, age after age,
until at last scarab-worship became one of the chief practical elements
in the religion of Egypt. There was a scarab-headed god, and scarab
hieroglyphs appear on the face of all the monuments.
It is as a charm or amulet, however, that the ancient Egyptian
imitation scarab is best known. From a very early period in the history
of the Nile valley it became usual for luck's sake to bury some of
these sacred beetles with the mummy, perhaps alive (in which case most
of them would no doubt creep out again) and perhaps also dead. A few
real scarabs have thus been found here and there in tombs. But for
the most part, just as the Egyptians buried little porcelain images
to accompany the mummy, so they buried porcelain or stone scarabs;
and these were rather closely imitated from the living insect, but
made still more sacred by being enamelled or engraved with the holy
name of some king or god. Scarabs of this kind, inscribed with sacred
words, and regarded as talismans, form some of the commonest objects
disinterred in all the Egyptian excavations: one of them, from a
specimen in the British Museum, is illustrated in No. 7. Comparison
with the live beetles in the other engravings will show how well the
Egyptians copied nature in this instance.
[Illustration: 7.--AN EGYPTIAN SACRED SCARAB, IN THE BRITISH MUSEUM.]
Public-domain text, read in full here on John Shaqi.
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