The Strand Magazine, Vol. 27, Issue 160, April, 1904Various
General
The Strand Magazine, Vol. 27, Issue 160, April, 1904
Various
English literature -- Periodicals; Short stories, English -- Periodicals
In his wake followed another and a brighter star. When Haydn was at the
zenith of his success all Germany began to talk of the little infant
prodigy, Wolfgang Amadeus Mozart. Our first Mozart picture shows him at the
epoch of his life when he first fell in love. While on a visit to an uncle
he met his fate in the shape of one of his youthful cousins, Aloysia Weber.
The two sisters were pretty; the older, whom in the picture we see
lingering in the other room, was full of kindness and sweet unselfishness,
always putting forward the younger and more talented sister. Aloysia had a
beautiful and well-trained voice, and could read a song at first sight.
What was more natural than that the two young people who loved music should
learn to love each other? Then came the parting hour. Mozart was compelled
to go on one of his extensive tours. Two years passed by before he could
return to his Aloysia. She had, of course, vowed everlasting love; but,
alas for the faithlessness, the vanity of woman! Wolfgang came back,
faithful and loving as he had left, to find that Aloysia had grown into a
very beautiful girl, who had tasted the joys of celebrity as a singer.
Success had turned her head and she had nothing to say to the young
musician, who was only on the road to make his fame, and she threw away a
treasure which she was too ignorant to prize.
[Illustration: "MOZART AND ALOYSIA WEBER."
FROM THE PICTURE BY CARL RÖHLING.
By permission of the Berlin Photographic Company, 133, New Bond Street,
London, W.
_Copyright, 1902 by Photographische Gesellschaft._]
[Illustration: "MOZART AND BEETHOVEN."
FROM THE PICTURE BY A. BORCKMANN.
By permission of the Berlin Photographic Company, 133, New Bond Street,
London, W.]
In the next picture we see Mozart again when, at the height of his own
fame, he listens to one who was destined to be greater even than
himself--the young Beethoven. The young musician of sixteen asked him for a
theme on which to improvise. Slowly the genius unfolded his wings; the
simple theme seemed to grow to a mighty phrase, which was taken up by other
voices as the harmony swelled under the fingers of the player who was
destined to show the coming generations the power of music at its greatest.
Mozart listened more and more attentively, his eyes fixed upon the young
musician, his face wearing an almost reverential look under the spell of
celestial inspiration, which came now like the rushing of a mighty wind.
The music still went on. Beethoven had forgotten that he was not alone; but
Mozart turned to his friends. "Listen!" he said. "And remember, of this
young man the whole world will speak."
Public-domain text, read in full here on John Shaqi.
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