The strange career of the Chevalier d'Eon de Beaumont : $b Minister plenipotentiary from France to Great Britain in 1763Telfer, J. Buchan (John Buchan)
History
The strange career of the Chevalier d'Eon de Beaumont : $b Minister plenipotentiary from France to Great Britain in 1763
Telfer, J. Buchan (John Buchan)
Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810; France -- Foreign relations -- 1715-1774
To represent D’Eon de Beaumont as a Chevalière of the Royal and Military
Order of Saint Louis at the age of twenty-five, is an anomaly. The cross
in this picture may have been introduced by Angelica Kauffmann[395] when
she copied La Tour’s portrait, or it may have been added many years after
its execution, by La Tour himself, before Angelica Kauffmann saw it. His
biographer gives authority for such a conjecture where he says: ‘Towards
the close of his life, the mind of this artist began to give way. He
vitiated a large number of his works by retracing them, under the pretext
that in a portrait everything should be sacrificed to the head.’
2. *Mackenzie sc. LE CHEVALIER D’EON (beardless).
3. Printed for S. Hooper, 25 Ludgate Hill, 25 January, 1771
(_mezzo-tinto_, full length). The Discovery or Female Free-mason, Lady
Charles Louis Cezar Augustus Alexander Timotheus D’Eon de Beaumont
(here follow style and titles) and accepted free-mason at the lodge of
Immortality at the ‘Crown and Anchor’ in the Strand.
4. *Huquier, pinxt; Burke, fect. Published as the Act directs, August 7,
1771, by I. Wesson. THE CHEVALIER D’EON. (See p. 208, from a photograph
by C. Prætorius.)
5. Published as the Act directs by S. Hooper, Ludgate Hill, 20 March,
1778 (_mezzo-tinto_). Represented as Minerva, with lance and shield,
upon the latter this legend: At nunc dura dedit vobis discrimina Pallas.
On one side: Impavidam ferient ruinæ. A long inscription in English,
concludes: Læsæ sed invictæ Palladi, per bella, per acta publica
in patriæ suæ honorem et famam inclytæ, cujus virtutes nec inimici
vituperare, pauci homines imitari possunt. Exul mi Deone, ne quidem ossa
patria habeat! In perpetuum amoris monumentum offerebant amici sociales
milites.
6. Dessiné et Gravé par J. B. Bradel d’après nature et les Originaux
communiqués par Mademoiselle D’Eon à ce Seul Artiste. Charlotte Geneviève
Louise Auguste Andrée Timothée D’Eon de Beaumont (here follow style and
titles) Ætatis 35.[396] A la Mémoire des Héroines Françoises, Jeanne
D’Arc, Jeanne Hachette, etc. etc.
7. Frontispiece to ‘La Vie Militaire, Politique et Privée de Mademoiselle
D’Eon de Beaumont, etc.’: by de la Fortelle, 1779. LA CHEVALIÈRE D’EON DE
BEAUMONT, Née en 1728.
8. A. Stöttrup sc. 1779. Same as 7.
9. Painting in oils, life size. CHEVALIER D’EON, 1782. (See Frontispiece,
from a photograph by Arthur King.)
In a short biographical notice of the Chevalier D’Eon, dated 1812 (?),
at the back of this canvas, allusion being made to the trial on sex
policies, it is asserted—‘Sir Joshua Reynolds was in Court during the
trial and requested the Chevalier to pay him a visit, which he did in
female attire on 4 August, 1777, when this Sketch was taken of the
Chevalier by Sir Joshua, and presented by him in 1782 to his friend Sir
Wm. Chambers.’
Public-domain text, read in full here on John Shaqi.
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