Countesses -- Fiction; Crime -- Fiction; Detective and mystery stories; Household employees -- Fiction; Young women -- Fiction
Though she could remember one or two uncomfortable days in her life,
Lois Reddle could not recall one that bore any comparison with the
twenty hours that followed her departure from Gallows Farm. She had
been awakened by the woman at some unknown hour in the middle of the
night, ordered to dress and come downstairs. The first order was easy
to obey, for she had not taken off her clothes. When she came down
into the passage she found the doctor waiting for her. He was wearing
his heaviest overcoat, and carried a thick stick, and was testing a
flash-lamp as she joined him.
“Where are you taking me?” she asked, as he led her across the yard to
the accompaniment of the savage chorus of the dogs.
“You’ll find out in good time,” was the unpromising reply. “I don’t
want you to ask questions or to speak until I tell you. After you
leave this house you are to be silent--understand that?”
They mounted the gentle slope of the downs and presently descended
into a valley on the other side. Although the moon was obscured, there
was sufficient light to enable her to pick her way across the rough
ground and to dispense with the arm he offered her. Once they made a
wide detour to avoid a marshy patch, and once he had to help her
through a fence of hawthorn. Ahead of them was a dark line of trees,
which was on the estate. He told her there were twelve hundred acres
of land attached to the farm, only a small portion of which had been
sub-let, and none of which was under cultivation.
“It is poor land, anyway--most of this downland is. That is Gallows
Wood,” he said, indicating the trees ahead. “The farm takes its name
from the wood. There used to be a gallows on the crest of the hill
years ago. Not scared, are you?”
He chuckled when she answered “No.”
After a while they struck a rough track which led into the heart of
the copse, and now for the first time he produced the flash-lamp; a
necessary precaution, for the path was overgrown and difficult to
follow. Although her voice was steady and her attitude one of sublime
confidence, Lois was inwardly quaking. There was something very
ominous in this move. Yet it was not the fear of what would happen in
the wood that frightened her. She guessed that the doctor was moving
her from the farm because he expected the return of Michael Dorn. She
dreaded only this; that Michael would search the house and be
satisfied that she was not there. Would the doctor move the
grey-haired woman too, she wondered? After ten minutes’ walk he
stopped, and she thought he had lost the way, until the light of his
lamp revealed a small stone cottage, standing back from the path and
almost hidden by trees and undergrowth. This, then, was the new
prison, she thought.
“Hold this light,” he ordered, and she obeyed, whilst he tried key
after key in the lock.
Public-domain text, read in full here on John Shaqi.
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