The sun-browned rugged plebeian, whose mind, by the influence of an unexampled political change, has been long alienated from all the noble feelings which religion and humanity inspire, is here seen, with his arms rudely folded over his breast, softening into pity, before the struggling and sinking sufferers of a deluged world, or silently imbibing from the divine resigned countenance of the crucified Saviour, a hope of unperishable bliss, beyond the grave. Who will condemn a policy by which ignorance becomes enlightened, profligacy penitent, and which, as by stealth, imparts to the relenting bosom of ferocity the subdued, and social dispositions of _true_ fraternity? To amuse, may be necessary to the present government of France, but surely to supplant the wild abandoned principles of a barbarous revolution, with _new_ impressions, created by an unreserved display of the finest and most persuasive images of resigned suffering, heroic virtue, or elegant beauty, cannot be deemed unworthy of the ruler of a great people. At this place, as well as at all the other national exhibitions, no money for admission is required or expected. No person is admitted with a stick, and guards attend to preserve the pictures from injury, and the exhibition from riot. The gallery of the Louvre is at present, unfortunately, badly lighted throughout, owing to the light issuing chiefly on one side, from long windows. This inconvenience, however, is soon to be remedied; by observing the same manner of lighting, as in the adjoining apartment. From the museum, we descended into la Salle des Antiques, which contains all the treasury of grecian and roman statuary. The first object to which we hastened, was the statue of Laocoon, for so many ages, and by so many writers admired and celebrated. This superb specimen of grecian sculpture, is supposed to be the united production of Polydorus, Athenodorus, and Agesander, but its great antiquity renders its history somewhat dubious. In the beginning of the sixteenth century it was discovered at Rome amongst the ruins of the palace of Titus, and deposited in the Farnese palace, whence it has been removed to Paris, by the orders of Bonaparte, after the conquest of Italy. It represents Laocoon, the priest of Apollo and Neptune, and his two sons writhing in the folds of two hideous serpents. The reader will remember the beautiful lines of Virgil upon the subject, "----------------et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus. Post, ipsum auxilio subeuntem ac tela ferentem Corripiunt, spirisque ligant ingentibus: et jam Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis. Ille simul manibus tendit divellere nodos--" Or, in the english habit which Dryden has given them,