The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.Hughes, Thomas
History
The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.
Hughes, Thomas
Chester (England) -- Guidebooks
Leaving the Chapel by the door at which we entered, we repass through the
lobby, observing in our course the fine bust of Our Saviour, in marble,
upon our right-hand. Thence crossing the Great Corridor, we move along,
through a short passage, into the DINING-ROOM. This is a splendid
apartment, chastely beautiful in all its details, and though less
profusely gorgeous than some of its companions, is yet sufficiently so to
justify its position as the great Banqueting Room of the mansion. The
ceiling is a combination of rich and delicate tracery, dotted here and
there with the coats armorial of the family, and radiating almost
imperceptibly towards the centre, whence depends, from its elaborate
boss, a massive chandelier. Three richly-carved mahogany sideboards, and
a splendid mirror in five Gothic panels, add a grace to this room, the
walls of which are caparisoned in maroon and gold on a white ground.
Each corner of the room has a chaste canopied niche, adorned with
statuary from the studio of Sir R. Westmacott,—those at the north end
representing the Crusader, “Sir Robert le Grosvenor,” in mail armour, and
“Mary, Lady Grosvenor,” the heiress of Westminster. At the south end we
have “Sir Gilbert le Grosvenor,” the Norman patriarch of the family, and
“Joan de Eaton,” afterwards Lady Grosvenor, a chaste and graceful
conception of the sculptor. Over the rich marble fireplace is an
original _chef-d’œuvre_, of Rubens—“The Meeting of David and Abigail,”—on
either side of which are full-length portraits of the first Marquis and
Marchioness of Westminster, painted by Jackson.
From this Room we pass through a handsome doorway into the
ANTE-DINING-ROOM, a smaller and much plainer apartment, the walls painted
a beautiful arabesque of white and gold on a green ground, producing an
extremely rich and pleasing effect. The inlaid oak-floor, the delicate
ceiling, and the stained glass portraits of three of the Norman Earls of
Chester, which ornament the windows, all merit our attention; but we must
hurry away, and by a doorway opposite, pass into the SALOON.
Public-domain text, read in full here on John Shaqi.
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