The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.Hughes, Thomas
History
The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.
Hughes, Thomas
Chester (England) -- Guidebooks
In the graveyard before us, to the left of what was originally the
extreme north of the Transept, stood until the last century an ancient
house, called the _Woolstaplers’ Hall_, of which all trace has now passed
away. Over the churchyard wall we can see the upper portion of the
GROSVENOR SCHOOL, a charitable institution, erected and endowed by the
first Lord Westminster, but now supported by voluntary contributions.
Farther still to the right is the Rectory House, abutting upon Love
Street and Barker’s Lane, neither of which possesses any charms for us
sightseers.
Turning away to the right from the Church door, a few paces will bring us
to a decayed and half-ruined wall, in the centre of which is a small
pointed arch, known as the entrance-gate to the PRIORY. This arch
originally formed part of the _Nunnery of St. Mary_, near the CASTLE, and
was placed in its present position on the demolition of the ruins of the
former establishment, about thirty years ago. The ground within is,
strictly speaking, private; but permission being courteously afforded to
visitors, we will quietly step into the interior, and ponder awhile on
the scene which now presents itself. The genius of desolation reigns
dominant here; this spot, once the holiest of holies, the _sanctum
sanctorum_ of the Church of St. John, is now a roofless and floorless
waste. We are standing on the site of the original choir, whose walls
oft resounded with purest melody:—but where _now_ are the white-robed
train? The occupation of the chorister is gone—the voice of the priest
has hence for ever died away, and the hymn of praise, of matin and
evensong, no longer echoes along its richly vaulted aisles! Here we see
the effects produced by the fall of the centre steeple, in 1470, and
again in 1572, laying the whole east end of the structure in ruins. Yet
still, amid the general decay, for everything here seems crumbling into
dust, the rich old chancel arch (call it Saxon or Norman, whichever you
will) maintains erect its venerable crest,—the ivy that clasps it, the
trees that overshadow, the mould that corrupts it, serving but to
increase and develop its charms. Passing under the arch, we are
straightway in the Chancel, and close to the spot where the high altar of
ST. JOHN’S of old time stood. Here, it may be, the censor of the priest
wafted aloft the incense at the daily sacrifice;—here the anathemas of
the church were pronounced against excommunicated sinners;—and yet, here,
after a lapse of some four hundred years, rank weeds and grass now
desecrate the ground, while the owl and the bat hold their midnight
levies in this once “holy place.” Cast your eyes o’er that fragment
heap, now formed into a sort of rockery,—every stone there, could it but
speak, has its tale to tell;—here a shattered niche, there a sepulchral
slab, yonder a broken font, there again an image defaced—all rich and
glorious in their time, but surrendered now to undeserved decay! Pass we
Public-domain text, read in full here on John Shaqi.
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