Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
He put his hand in his pocket.
CHAPTER XX
The Portier was almost happy that morning. For one thing, he had won
honorable mention at the Schubert Society the night before; for another,
that night the Engel was to sing Mignon, and the Portier had spent his
Christmas tips for a ticket. All day long he had been poring over the
score.
“'Kennst du das Land wo die Citronen bluhen?'” he sang with feeling
while he polished the floors. He polished them with his feet, wearing
felt boots for the purpose, and executing in the doing a sort of
ungainly dance--a sprinkle of wax, right foot forward and back, left
foot forward and back, both feet forward and back in a sort of double
shuffle; more wax, more vigorous polishing, more singing, with longer
pauses for breath. “'Knowest thou the land where the lemon trees
bloom?'” he bellowed--sprinkle of wax, right foot, left foot, any foot
at all. Now and then he took the score from his pocket and pored over
it, humming the air, raising his eyebrows over the high notes, dropping
his chin to the low ones. It was a wonderful morning. Between greetings
to neighbors he sang--a bit of talk, a bit of song.
“'Kennst du das Land'--Good-morning, sir--the old Rax wears a crown. It
will snow soon. 'Kennst du das Land wo die Citronen'--Ah, madam the milk
Frau, and are the cows frozen up to-day like the pump? No? Marvelous!
Dost thou know that to-night is Mignon at the Opera, and that the Engel
sings? 'Kennst du das Land'--”
At eleven came Rosa with her husband, the soldier from Salzburg with one
lung. He was having a holiday from his sentry duty at the hospital,
and the one lung seemed to be a libel, for while the women had coffee
together and a bit of mackerel he sang a very fair bass to the Portier's
tenor. Together they pored over the score, and even on their way to the
beer hall hummed together such bits as they recalled.
On one point they differed. The score was old and soiled with much
thumbing. At one point, destroyed long since, the sentry sang A sharp:
the Portier insisted on A natural. They argued together over three
Steins of beer; the waiter, referred to, decided for A flat. It was a
serious matter to have one's teeth set, as one may say, for a natural
and then to be shocked with an unexpected half-tone up or down! It
destroyed the illusion; it disappointed; it hurt.
The sentry stuck to the sharp--it was sung so at the Salzburg opera.
The Portier snapped his thumb at the Salzburg opera. Things were looking
serious; they walked back to the locale in silence. The sentry coughed.
Possibly there was something, after all, in the one-lung rumor.
It was then that the Portier remembered Harmony. She would know; perhaps
she had the score.
Harmony was having a bad morning. She had slept little until dawn, and
Peter's stealthy closing of the outer door had wakened her by its very
caution. After that there had been no more sleep. She had sat up in bed
with her chin in her hands and thought.
Public-domain text, read in full here on John Shaqi.
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