Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
He was in love, crazy in love. Every fiber of his long body glowed with
it, ached with it. And every atom of his reason told him what mad folly
it was, this love. Even if Harmony cared--and at the mere thought his
heart pounded--what madness for her, what idiocy for him! To ask her to
accept the half of--nothing, to give up a career to share his struggle
for one, to ask her to bury her splendid talent and her beauty under a
bushel that he might wave aloft his feeble light!
And there was no way out, no royal road to fortune by the route he had
chosen; nothing but grinding work, with a result problematical and years
ahead. There were even no legacies to expect, he thought whimsically.
Peter had known a chap once, struggling along in gynecology, who had
had a fortune left him by a G. P., which being interpreted is Grateful
Patient. Peter's patients had a way of living, and when they did drop
out, as happened now and then, had also a way of leaving Peter an unpaid
bill in token of appreciation; Peter had even occasionally helped to
bury them, by way, he defended himself, of covering up his mistakes.
Peter, sitting back in his corner, allowed the wonderful scenery to slip
by unnoticed. He put Harmony the Desirable out of his mind, and took
to calculating on a scrap of paper what could be done for Harmony the
Musician. He could hold out for three months, he calculated, and still
have enough to send Harmony home and to get home himself on a slow boat.
The Canadian lines were cheap. If Jimmy lived perhaps he could take him
along: if not--
He would have to put six months' work in the next three. That was not so
hard. He had got along before with less sleep, and thrived on it. Also
there must be no more idle evenings, with Jimmy in the salon propped in
a chair and Harmony playing, the room dark save for the glow from the
stove and for the one candle at Harmony's elbow.
All roads lead to Rome. Peter's thoughts, having traveled in a circle,
were back again to Harmony the Desirable--Harmony playing in the
firelight, Harmony Hushed over the brick stove, Harmony paring potatoes
that night in the kitchen when he--Harmony! Harmony!
Stewart knew all about the accident and its cause. Peter had surmised as
much when the injured man failed to ask for Marie.
He tested him finally by bringing Marie's name into the conversation.
Stewart ignored it, accepted her absence, refused to be drawn.
That was at first. During the day, however, as he gained strength, he
grew restless and uneasy. As the time approached for Peter to leave, he
was clearly struggling with himself. The landlady had agreed to care
for him and was bustling about the room. During one of her absences he
turned to Peter.
“I suppose Marie hasn't been round?”
“She came back last night.”
“Did she tell you?”
“Yes, poor child.”
“She's a devil!” Stewart said, and lay silent. Then: “I saw her shoot
that thing out in front of us, but there was no time--Where is she now?”
Public-domain text, read in full here on John Shaqi.
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