Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
Peter looked at her. She was very near to tears, very sad, very
beautiful.
“I'm afraid to ask,” said Peter, and picking up his hat he made for the
door. There he turned, looked back, was lost.
“My sweetest heart!” he cried, and took her in his hungry arms. But even
then, with her arms about his neck at last, with her slender body held
to him, her head on his shoulder, his lips to her soft throat, Peter put
her from him as a starving man might put away food.
He held her off and looked at her.
“I'm a fool and a weakling,” he said gravely. “I love you so much that I
would sacrifice you. You are very lovely, my girl, my girl! As long as I
live I shall carry your image in my heart.”
Ah, what the little Georgiev had said on his way to the death that
waited down the staircase. Peter, not daring to look at her again, put
away her detaining hand, squared his shoulders, went to the door.
“Good-bye, Harmony,” he said steadily. “Always in my heart!”
Very near the end now: the little Marie on the way to America, with
the recording angel opening a new page in life's ledger for her and
a red-ink line erasing the other; with Jimmy and his daddy wandering
through the heaven of friendly adventure and green fields, hand in hand;
with the carrier resting after its labors in the pigeon house by the
rose-fields of Sofia; with the sentry casting martial shadows through
the barred windows of the hospital; and the little Georgiev, about to
die, dividing his heart, as a heritage, between his country and a young
girl.
Very near the end, with the morning light of the next day shining into
the salon of Maria Theresa and on to Peter's open trunk and shabby
wardrobe spread over chairs. An end of trunks and departure, as was the
beginning.
Early morning at the Gottesacker, or God's acre, whence little Jimmy had
started on his comfortable journey. Early morning on the frost-covered
grass, the frozen roads, the snap and sparkle of the Donau. Harmony had
taken her problem there, in the early hour before Monia would summon her
to labor--took her problem and found her answer.
The great cemetery was still and deserted. Harmony, none too warmly
clad, walked briskly, a bunch of flowers in oiled paper against the
cold. Already the air carried a hint of spring; there was a feeling of
resurrection and promise. The dead earth felt alive under-foot.
Harmony knelt by the grave and said the little prayer the child had
repeated at night and morning. And, because he had loved it, with some
vague feeling of giving him comfort, she recited the little verse:--
“Ah well! For us all some sweet hope lies Deeply buried from human eyes:
And in the hereafter, angels may Roll the stone from its grave away.”
When she looked up Le Grande was standing beside her.
There was no scene, hardly any tears. She had brought out a great bunch
of roses that bore only too clearly the stamp of whence they came. One
of the pickaninnies had carried the box and stood impassively by, gazing
at Harmony.
Public-domain text, read in full here on John Shaqi.
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