Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
“Of course,” went on Peter, humbling himself for Harmony's sake, “I
suppose it has been rather unconventional, but Dr. Gates is not a young
woman by any means, and she takes very good care of Miss Wells. There
were reasons why this seemed the best thing to do. Miss Wells was alone
and--”
“There is a Dr. Gates?”
“Of course. If you will come back and wait she'll be along very soon.”
Mrs. Boyer was convinced and defrauded in one breath; convinced that
there might be a Dr. Gates, but equally convinced that the situation was
anomalous and certainly suspicious; defrauded in that she had lost the
anticipated pleasure of giving Peter a piece of her mind. She walked
along beside him without speaking until they reached the street-car
line. Then she turned.
“You called her--you spoke to her very affectionately, young man,” she
accused him.
Peter smiled. The car was close. Some imp of recklessness, some
perversion of humor seized him.
“My dear Mrs. Boyer,” he said, “that was in jest purely. Besides, I did
not know that you were there!”
Mrs. Boyer was a literal person without humor. It was outraged American
womanhood incarnate that got into the street-car and settled its
broadcloth of the best quality indignantly on the cane seat. It was
outraged American womanhood that flung open the door of Marie Jedlicka's
flat, and stalking into Marie Jedlicka's sitting room confronted her
husband as he read a month-old newspaper from home.
“Did you ever hear of a woman doctor named Gates?” she demanded.
Boyer was not unaccustomed to such verbal attacks. He had learned to
meet domestic broadsides with a shield of impenetrable good humor, or at
the most with a return fire of mild sarcasm.
“I never hear of a woman doctor if it can be avoided.”
“Dr. Gates--Anna Gates?”
“There are a number here. I meet them in the hospital, but I don't know
their names.”
“Where does Peter Byrne live?”
“In a pension, I believe, my dear. Are we going to have anything to eat
or do we sup of Peter Byrne?”
Mrs. Boyer made no immediate reply. She repaired to the bedroom of Marie
Jedlicka, and placed her hat, coat and furs on one of the beds with the
crocheted coverlets. It is a curious thing about rooms. There was no
change in the bedroom apparent to the eye, save that for Marie's tiny
slippers at the foot of the wardrobe there were Mrs. Boyer's substantial
house shoes. But in some indefinable way the room had changed. About it
hung an atmosphere of solid respectability, of impeccable purity that
soothed Mrs. Boyer's ruffled virtue into peace. Is it any wonder that
there is a theory to the effect that things take on the essential
qualities of people who use them, and that we are haunted by things, not
people? That when grandfather's wraith is seen in his old armchair it
is the chair that produces it, while grandfather himself serenely haunts
the shades of some vast wilderness of departed spirits?
Public-domain text, read in full here on John Shaqi.
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