Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
They descended rapidly, Stewart always in the lead and setting a pace
that Marie struggled in vain to meet. To her tentative and breathless
remarks he made brief answer, and only once in all that time did he
volunteer a remark. They had reached the Hotel Erzherzog in the valley.
The hotel was still closed, and Marie, panting, sat down on an edge of
the terrace.
“We have been very foolish,” he said.
“Why?”
“Being seen together like that.”
“But why? Could you not walk with any woman?”
“It's not that,” said Stewart hastily. “I suppose once does not matter.
But we can't be seen together all the time.”
Marie turned white. The time had gone by when an incident of the sort
could have been met with scorn or with threats; things had changed
for Marie Jedlicka since the day Peter had refused to introduce her to
Harmony. Then it had been vanity; now it was life itself.
“What you mean,” she said with pale lips, “is that we must not be seen
together at all. Must I--do you wish me to remain a prisoner while
you--” she choked.
“For Heaven's sake,” he broke out brutally, “don't make a scene. There
are men cutting ice over there. Of course you are not a prisoner. You
may go where you like.”
Marie rose and picked up her muff.
Marie's sordid little tragedy played itself out in Semmering. Stewart
neglected her almost completely; he took fewer and fewer meals at the
villa. In two weeks he spent one evening with the girl, and was so
irritable that she went to bed crying. The little mountain resort was
filling up; there were more and more Americans. Christmas was drawing
near and a dozen or so American doctors came up, bringing their families
for the holidays. It was difficult to enter a shop without encountering
some of them. To add to the difficulty, the party at the hotel, finding
it crowded there, decided to go into a pension and suggested moving to
the Waldheim.
Stewart himself was wretchedly uncomfortable. Marie's tragedy was his
predicament. He disliked himself very cordially, loathing himself and
his situation with the new-born humility of the lover. For Stewart was
in love for the first time in his life. Marie knew it. She had not lived
with him for months without knowing his every thought, every mood. She
grew bitter and hard those days, sitting alone by the green stove in
the Pension Waldheim, or leaning, elbows on the rail, looking from the
balcony over the valley far below. Bitter and hard, that is, during his
absences; he had but to enter the room and her rage died, to be
replaced with yearning and little, shy, tentative advances that he only
tolerated. Wild thoughts came to Marie, especially at night, when the
stars made a crown over the Rax, and in the hotel an orchestra played,
while people dined and laughed and loved.
She grew obstinate, too. When in his desperation Stewart suggested that
they go back to Vienna she openly scoffed.
“Why?” she demanded. “That you may come back here to her, leaving me
there?”
Public-domain text, read in full here on John Shaqi.
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