* * * * * "When you pass through this furnace of Ascalon called New York will you stop among the Philistines long enough to take a cup of tea with us?--I'll show you the pictures; Dankmere will play 'Shannon Water' for you; Miss Vining will talk pretty platitudes to you, Daisy will purr for you, and the painted eyes of Dankmere's ancestors will look down approvingly at you from the wall; and all our little world will know that the loveliest and best of all the greater world is breaking bread with us under our roof, and that one for once, unlike man's dealings with your celestial sisters, our entertainment of you will not be wholly unawares. "R. S. QUARREN." The basement workshop was aromatic with the odours of solvents, mediums, and varnishes when he returned from posting his letter to Strelsa. His old English mentor had departed for good, leaving him to go forward alone in his profession. And now, as he stood there, looking out into the sunny backyard, for the first time he felt the silence and isolation of the place, and his own loneliness. Doubt crept in whispering the uselessness of working, of saving, of self-denial, of laying by anything for a future that already meant nothing of happiness to him. For whom, after all, should he save, hoard, gather together, economise? Who was there to labour for? For whom should he endure? He cared nothing for women; he had really never cared for any woman excepting only this one. He would never marry and have a son. He had no near or distant relatives. For whose sake, then, was he standing here in workman's overalls? What business had he here in the basement of a shabby house in midsummer? Did there remain any vague hope of Strelsa? Perhaps. Hope is the last of one's friends to die. Or was it for himself that he was working now to provide against those evil days "when the keepers of the house shall tremble"? Perhaps he was unconsciously obeying nature's first law. And yet, slowly within him grew a certainty that these reasons were not the real ones--not the vital impulse that moved his hand steadily through critical and delicate moments as he bent, breathless, over the faded splendours of ancient canvases. No; somehow or other he had already begun to work for the sake of the work itself--whatever that really meant. That was the basic impulse--the occult motive; and, somehow he knew that, once aroused, the desire to strive could never again in him remain wholly quiescent. * * * * * Both Dankmere and Miss Vining had gone to lunch, presumably in different directions; Daisy and her youngsters, having been nourished, were asleep; there was not a sound in the house except the soft rubbing of tissue-paper where Quarren was lightly removing the retouching varnish from a relined canvas. Presently the front door-bell rang.