She wore heavy man’s brogans. Her legs were stockingless, and I had noticed when she walked that her bare feet were thrust into the crinkly, iron-like shoes that sloshed about her lean ankles at every step. Her figure, shapeless and waistless, was garbed in a rough man’s shirt and in a ragged flannel petticoat that had once been red. But it was her face, wrinkled, withered and weather-beaten, surrounded by an aureole of unkempt and straggling wisps of greyish hair, that caught and held me. Neither drifted hair nor serried wrinkles could hide the splendid dome of a forehead, high and broad without verging in the slightest on the abnormal. The sunken cheeks and pinched nose told little of the quality of the life that flickered behind those clear blue eyes of hers. Despite the minutiæ of wrinkle-work that somehow failed to weazen them, her eyes were clear as a girl’s—clear, out-looking, and far-seeing, and with an open and unblinking steadfastness of gaze that was disconcerting. The remarkable thing was the distance between them. It is a lucky man or woman who has the width of an eye between, but with Margaret Henan the width between her eyes was fully that of an eye and a half. Yet so symmetrically moulded was her face that this remarkable feature produced no uncanny effect, and, for that matter, would have escaped the casual observer’s notice. The mouth, shapeless and toothless, with down-turned corners and lips dry and parchment-like, nevertheless lacked the muscular slackness so usual with age. The lips might have been those of a mummy, save for that impression of rigid firmness they gave. Not that they were atrophied. On the contrary, they seemed tense and set with a muscular and spiritual determination. There, and in the eyes, was the secret of the certitude with which she carried the heavy sacks up the steep steps, with never a false step or overbalance, and emptied them in the grain-bin. “You are an old woman to be working like this,” I ventured.