The Strife of the Roses and Days of the Tudors in the WestRogers, W. H. Hamilton (William Henry Hamilton)
History
The Strife of the Roses and Days of the Tudors in the West
Rogers, W. H. Hamilton (William Henry Hamilton)
Great Britain -- History -- Tudors, 1485-1603; Great Britain -- History -- Wars of the Roses, 1455-1485
The memorial to Cardinal Morton consists of a low altar-tomb on which
is his effigy robed in full _pontificalibus_. Six monks, or weepers,
three on each side, kneel beside the body. The arch of the canopy
above is ornamented on the inner soffit with the _rose crowned,
cardinal's hat, portcullis_, and his _rebus, a hawk or mort, on a
tun_, alternate; on the outer side with figures in niches. A lily in a
pot, between what remains of two figures probably representing the
Annunciation, is sculptured in the panel above the feet. The whole,
composed of a soft white stone, is in a state of considerable decay,
much mutilated, and begrimed with dust and dirt to a sooty hue.
How strange the metamorphosis death often assigns to the claims of
fame or station, especially to the memorials set up to them; of this,
the tomb and effigy before us furnishes notable example. Here,
enveloped in the dark shadows of this crypt, and scarcely discernible,
where, unless guided, human foot would scarcely dream of taking its
way in search of reminiscence to one so memorable, is the monument of
the principal Englishman of his era, who held the highest position in
the kingdom ecclesiastically and civilly, a statesman also of the
first order, the value of whose influence in settling the great
quarrel that had so long distracted his native land, and bringing it
peace, can now hardly be estimated.
Broken, tattered, despoiled,--gradually crumbling and
decaying,--covered also with the dust and neglect of ages, lies what
is left of the outward and visible semblance of John Morton, Prince of
the Church, Metropolitan of England, and Lord Chancellor to her King.
But a close scrutiny through the gloom shews us the stately lines of
his vestments, his broken mitre, his shattered staff, and on them the
traces of that sparing but rich ornament, that asserts at once the
erstwhile dignity of their wearer when in the flesh,--and typifies
with true presentment, the glimpses of his grand character, that now
comes back to us so vividly, through depth and dimness of the Past.
Even his very dust, carried away piecemeal by the thoughtless
wayfarer, adds significant tribute to the greatness of his memory; but
the six monks, headless and handless, still remain and kneel by his
side, patiently waiting amid the desolation and obscurity for the
eternal dawn.
[Illustration: EFFIGY OF JOHN MORTON, ARCHBISHOP OF CANTERBURY
AND CARDINAL
CATHEDRAL--A.D. 1500]
Public-domain text, read in full here on John Shaqi.
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