The Strife of the Roses and Days of the Tudors in the WestRogers, W. H. Hamilton (William Henry Hamilton)
History
The Strife of the Roses and Days of the Tudors in the West
Rogers, W. H. Hamilton (William Henry Hamilton)
Great Britain -- History -- Tudors, 1485-1603; Great Britain -- History -- Wars of the Roses, 1455-1485
The architecture is Perpendicular, and of rich character. The east
window square-headed, of some height from the floor, shewing that
there was an altar once below it, and a piscina occurs in the pier of
the arch on the south side. The south window is of large size,
bay-shaped, and extends to the roof, the side jambs are panelled with
window-shaped tracery, and along the top is a string-course of
quatrefoil panels with bosses, and these are repeated at the base over
the tomb; here they have shields in the centre, but with no charges on
them. The roof, in a good state of preservation, is a richly trussed
one of oak, with deeply moulded transoms, again subdivided by smaller
ones, the squares between ornamented with quatrefoils, having
well-carved bosses in their centres, and others at the intersection of
the trusses. On one nearest the chancel is the cross and crown of
thorns,--on others the arms of Hungerford, the double rose, and some
display, apparently representations of stags, a fox, man on horse, &c.
The tomb of the Archbishop's mother is in the recess of the bay of the
north window. It occupies its whole width and depth, and assumes the
form of a plain solid bench rising some height from the ground, with
no ornament of any kind. It is composed of white stone, as is also the
gravestone, let in on the top, which appears to be of somewhat
different kind, and of more friable character.
[Illustration: EMMA, MOTHER OF ARCHBISHOP STAFFORD.
NORTH-BRADLEY CHURCH, WILTSHIRE.--A.D. 1446.]
On this gravestone the effigy of the mother of the Archbishop is
incised, below her feet is a pedestal, and over her head a rich canopy
supported on side buttresses. Although the lines of the figure are
somewhat denuded, yet sufficient remains to shew she was clad in the
ordinary costume of a lady of the period. On her head she wears a
coverchief that depends to the shoulders, a wimple around her neck,
and she is otherwise attired in long gown and robe over. The hands are
raised in prayer, and at her feet is a dog, apparently a spaniel, from
his dependant ears and clouded coat. The incised lines are filled with
a black composition, as is also the inscription that forms a
ledger-line around the stone,--
=Hic jacet d'na Emma mater Venerandissimi patris et domini D'ni
Joh'is Stafford dei gra' Cantuariensis Archiepi' que obiit quinto
die mensis Septembris anno d'ni Millesimo cccc^mo quadra's'mo
vi^o cuj' anime p'piciet' de' am'=
Public-domain text, read in full here on John Shaqi.
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