One of the most common punishments of the duel is confinement in
the university prison; and a few words on the permitted fencing
usages may here precede a short account of that. There is one regular
fencing-master appointed in the university, who gives his instructions
at his own house. Every Chore has here its place of practice; that is,
a large room in the house of the fencing-master is hired by each Chore
at a fixed hour of the day, where they meet together and practise
fencing, the fencing-master often being present. Others who wish to
accomplish themselves in the art of fence, join themselves to these
Chore members, but it is forbidden to lunge, lest under the pretence of
fencing the duel may be concealed. Of the German mode of fencing there
is truly as little to say as if we should describe to any one how he
should waltz. The customary weapon, and whoever has wielded it knows
well the meaning of high and low, guard, quart, terz, high and low
quart, prim, second, and so forth. The German rapier fight is not so
ornamental as the French lunging with the fleuret. It requires greater
strength, and the movements are only in the wrist; for the rest, it may
be recommended to any one as a strengthening exercise. The rapier is
similar to the Schläger, but, of course, blunt; a thick leather stulp
covers the arm, and a mask the face. The German student, it is well
known, arrives at a great dexterity in this practice, as he
distinguishes himself in all bodily exercises of strength and
dexterity, and as the Burschenschaft members did in the more useful
gymnastic schools, where they often performed astonishing exploits. The
gymnastic schools, as the rendezvous of the Burschenschaft, are
unhappily cried down, and are thereby fallen completely into neglect.
It is an inspiriting sight to see able swordsmen contending with
powerful strokes in the fencing-school; and sometimes all seem mad
together, when a couple of the great dogs of the students having found
their way in, each rushes to assist his master with yells and merciless
bites. All in the room retreat to tables and chairs, and the wrath of
the hounds is then turned against each other. They take the place of
strife instead of their masters, who, in their individual ornature, in
all corners of the room stand guarding themselves with their swords.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account