Bumpers in oar left-hands draining,
We will drink thy long maintaining,
Ancient, jovial Burschendom!
Swords in our right hands extending,
We will fight for thy defending,
Free and gallant Burschendom!
_Hauff_.
These lines of Hauff's, who himself enjoyed in Tübingen the pleasures
of the Burschendom with a fresh spirit, express the sentiments which
altogether in the life of the student, but especially in its most
beautiful feast, the Commers, are felt and abound. We have described
the General Commers; and we have now to make our readers acquainted
with the so-called Special Commers, that which each individual corps
celebrates at the commencement and conclusion of each Semester. These
Commerses are seldom held in the city. We see a jocund train issuing
forth from one of the city gates. A troop goes before on horseback,
who, in earlier times, were still more distinguished by their peculiar
style, but who still may sometimes be seen in full costume, that is, in
buckskins and huge jack-boots, Polonaise frocks; on their heads, their
Cerevis caps; over their breasts, wearing the broad Chore-band, while
they carry in their right hands their naked swords. The rest follow
them in carriages drawn by two or four horses; or the Senior precedes
in a four or six-horse equipage, and the rest follow in two-horse ones.
In their customary negligent student-dress, they lounge at their ease
in their carriages, smoking their long pipes. The Foxes show themselves
especially consequential, since it is the first time that they have
been privileged to present themselves to the eyes of the astonished
world in such a public procession. The Pawk-doctor is always invited to
this festivity, and frequently honours the Chore with his presence; but
the Red Fisherman is an invariable attendant, arrayed in the oddest
style, as the black frock-coat, and his other habiliments, by no means
correspond with the open breast and outlying shirt. He is generally
posted as servant behind the last carriage.
If now the reader were, on such a day, already at Neckarsteinach, so
might he, from the little pavilion in the garden of the Gasthouse[42]
of the Harp, right commodiously observe the approach of such a train,
as it emerges from one of the windings of the road which follows the
serpentine course of the Neckar, and permits him even from afar to see
the flashing of the drawn swords, and the shimmering of the coloured
caps and Chore-bands. Or he sees the new guests approaching in a barge
which they have mounted at Neckargemünd, where they have left their
horses and carriages. The barge is hung with garlands and festoons,
pennons stream from the masts; the sons of the Muses, in their
many-coloured costume, are picturesquely grouped, and some of them are
singing in the overflowing of their spirits to the sound of the jocund
music.
Public-domain text, read in full here on John Shaqi.
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