The Student's Companion to Latin AuthorsMiddleton, George
Philosophy
The Student's Companion to Latin Authors
Middleton, George
Authors, Latin; Latin literature -- History and criticism
1. 'Epistulae Senecae, Neronis imperatoris magistri, ad Paulum
Apostolum et Pauli Apostoli ad Senecam.' These letters, fourteen in
all, are accepted as genuine by Jerome, _de vir. illustr._ 12. 'Seneca
... quem non ponerem in catalogo sanctorum, nisi me epistulae illae
provocarent, quae leguntur a plurimis, Pauli ad Senecam et Senecae ad
Paulum.'
2. A work extant under the title of _Sententiae Rufi_ has been wrongly
thought to correspond to Seneca's dying words mentioned in Tac. _Ann._
xv. 63.
3. The book _De moribus_ or _Monita_ contains maxims by Christian
writers.
_Views and Character._--For Seneca's training in Stoic doctrines see
_Ep._ 108, 13 (quoted p. 241). With these views he generally
associates himself (cf. _Ep._ 113, 1; 117, 1), but does not bind
himself to one school.
Cf. _Ep._ 45, 4, 'Non enim me cuiquam emancipavi, nullius nomen fero.
Multum magnorum virorum iudicio credo, aliquid et meo vindico.'
Especially towards the end of his life, he came under the influence of
Demetrius the Cynic.
_Ep._ 62, 3, 'Demetrium, virorum optimum, mecum circumfero et relictis
conchyliatis cum illo seminudo loquor, ilium admiror. Quidni admirer?
vidi nihil ei deesse.'
In _de provid._ 5, 7, after quoting Demetrius' fatalistic views,
Seneca adds, 'Fata nos ducunt, et quantum cuique temporis restat,
prima nascentium hora disposuit.'
Seneca was one of the few Romans who condemned the butcheries
practised in the arena, and his views doubtless influenced Nero's
conduct in A.D. 58.
_Ep._ 95, 33, 'Homo, sacra res homini, iam per lusum ac iocum
occiditur et quem erudiri ad inferenda accipiendaque volnera nefas
erat, is iam nudus inermisque producitur satisque spectaculi ex homine
mors est.'
Tac. _Ann._ xiii. 31, 'Edixit Caesar ne quis magistratus aut
procurator, qui provinciam obtineret, spectaculum gladiatorum aut
ferarum aut quod aliud ludicrum ederet.'
For Seneca's love of wealth see p. 246. For his estimate of riches cf.
_De vita beata_, 22, 5. 'Apud me divitiae aliquem locum habent, apud
te summum ac postremum. Divitiae meae sunt, tu divitiarum es.'
His simplicity of life has been already dealt with.
Dio, lxi. 10, 2, gives a most unjust account of Seneca's character:
πάντα τὰ ἐναντιώτατα οἷς ἐφιλοσόφει ποιῶν ἠλέγχθη. καὶ
γὰρ τυραννίδος κατηγορῶν τυραννοδιδάσκαλος ἐγίνετο, καὶ τῶν συνόντων
τοῖς δυνάσταις κατατρέχων οὐκ ἀφίστατο τοῦ παλατίου ... τοῖς τε
πλουσίοις ἐγκαλῶν οὐσίαν ἑπτακισχιλίων καὶ πεντακοσίων μυριάδων
ἐκτήσατο.
Seneca followed no traditional style. Cf. _Ep._ 100, 6, 'De
compositione non constat'; _Ep._ 114, 13, 'Oratio certam regulam non
habet.' Quintilian, x. 1, 125-131, attacks his style, though admitting
his great powers.
CURTIUS RUFUS.
Public-domain text, read in full here on John Shaqi.
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