The materials, both fine and coarse, carried down annually by rivers from the higher regions to the lower, and deposited in successive strata in the basins of seas and lakes, must be of enormous volume. We are always liable to underrate their magnitude, because the accumulation of strata is going on out of sight. There are, however, causes at work which, in the course of centuries, tend to render visible these modern formations, whether of marine or lacustrine origin. For a large portion of the earth’s crust is always undergoing a change of level, some areas rising and others sinking at the rate of a few inches, or a few feet, perhaps sometimes yards, in a century; so that spaces which were once subaqueous are gradually converted into land, and others which were high and dry become submerged. In consequence of such movements we find in certain regions, as in Cashmere, for example, where the mountains are often shaken by earthquakes, deposits which were formed in lakes in the historical period, but through which rivers have now cut deep and wide channels. In lacustrine strata thus intersected, works of art and fresh-water shells are seen. In other districts on the borders of the sea, usually at very moderate elevations above its level, raised beaches occur, or marine littoral deposits, such as those in which, on the borders of the Bay of Baiæ, near Naples, the well-known temple of Serapis was imbedded. In that case the date of the monument buried in the marine strata is ascertainable, but in many other instances the exact age of the remains of human workmanship is uncertain, as in the estuary of the Clyde at Glasgow, where many canoes have been exhumed, with other works of art, all assignable to some part of the Recent Period.