The sturdy oak : $b a composite novel of American politics by fourteen American authors
General
The sturdy oak : $b a composite novel of American politics by fourteen American authors
New York (State) -- Fiction; Political fiction; Satire; Suffragists -- Fiction; Women -- New York (State) -- Fiction; Women -- Suffrage -- Fiction
If Miss Eliot had not contradicted it, Pudge would have believed to his
dying day that bullets hurtled through the air; it was so necessary to
the dramatic character of the adventure that there should be bullets.
He recovered from the shock of his fall in time to hear Miss Eliot
say: "Better not touch me, Mike; if there's so much as a bruise when my
friends find me, you'll get sent up for it."
Her cool, even tones cut the man's stream of profanity like a knife.
He came threateningly close to her, but refrained from laying hands on
either of them.
Meantime his companion drew himself up to the top of the fence for a
look over, and dropped back with a gesture intended to be reassuring.
Pudge rose gloriously to the occasion.
"The others have gone back to call the police," he announced. Mike spat
out an oath at him, but it was easy to see that he was not at all sure
that this might not be the case. The possibility that it might be,
checked a movement to pursue the fleeing Genevieve. Miss Eliot caught
their indecision with a flying shaft.
"Mrs. George Remington," she said, "will probably be in communication
with her friends very shortly. And between his wife and his old and dear
friend Mike it won't take George Remington long to choose."
This was so obvious that it left the men nothing to say. They fell in
surlily on either side of her, and without any show of resistance she
walked calmly back toward the house. Pudge lingered, uncertain of his
cue.
"Beat it, you putty-face!" Mike snarled at him, showing a yellow fang.
"If you ain't off the premises in about two shakes, you'll get what's
comin' to you. See?"
Pudge walked with as much dignity as he could muster in the direction
of the public road. He could see nothing of Mrs. Remington in either
direction; now and then a private motor whizzed by, but there was no
other house near enough to suggest a possibility of calling for help.
He concealed himself in a group of black locusts and waited. In about
half an hour he heard a car coming from the house with the mansard roof,
and saw that it held three occupants, two men and a woman. The men
he recognized, and he was certain that the woman, though she was well
bundled up, was not E. Eliot.
The motor turned away from the town and disappeared in the opposite
direction. Pudge surmised that Mike was making his getaway. He waited
another half hour and began to be assailed by the pangs of hunger. The
house gave no sign; even the smoke from the chimney stopped.
He was sure Miss Eliot was still there; imagination pictured her
weltering in her own gore. Between fear and curiosity and the saving
hope that there might be food of some sort in the house, Pudge left his
hiding place and began a stealthy approach.
He came to the low stoop and crept up to the closed front door. Hovering
between fear and courage, he knocked. But there was no response. With
growing boldness he tried the door. It was locked.
Public-domain text, read in full here on John Shaqi.
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