The sturdy oak : $b a composite novel of American politics by fourteen American authors
General
The sturdy oak : $b a composite novel of American politics by fourteen American authors
New York (State) -- Fiction; Political fiction; Satire; Suffragists -- Fiction; Women -- New York (State) -- Fiction; Women -- Suffrage -- Fiction
Why, indeed, had he fired Betty Sheridan? He hadn't really given
himself an account of the inward reasons yet. The episode had been too
disturbing; and it was George's characteristic to put off looking on
unpleasant facts as long as possible. Had he been really hard up, which
he never had been, he would undoubtedly have put away, unopened, the
bills he couldn't pay. Life was already presenting him with the bill of
yesterday's ill humor, and he was not yet ready to add up the amount. He
hid himself now behind the austerity of the offended husband.
"My dear," he inquired in his turn, "don't you think that you had best
leave the details of my office to me?"
He knew how lame this was, and how inadequate, before Genevieve replied.
"Betty Sheridan is not a detail of your office. She's one of my best
friends, and I want to know why you fired her. I dare say she was
exasperating; but I can't see any reason why you should have done it.
You should have let her leave."
It was Betty, with that lamentable lack of delicacy which George had
pointed out to her, who had not been ready to leave.
"You will have to let me be the judge of what I should or should not
have done," said George. This piece of advice Genevieve ignored.
"Why did you send her away?" she demanded.
"I sent her away, if you want to know, for her insolence and her damned
bad taste. If you think--working in my office as she was--it's decent or
proper on her part to be active in a campaign that is against me----"
"You mean because she's a suffragist? You sent her away for _that_! Why,
really, that's _tyranny_! It's like my sending away some one working for
me for her beliefs----"
They stood staring at each other, not questioningly as they had
yesterday, but as enemies,--the greater enemies that they so loved each
other.
Because of that each word of unkindness was a doubled-edged sword. They
quarreled. It was the first time that they had seen each other without
illusion. They had been to each other the ideal, the lover, husband,
wife.
Now, in the dismay of his amazement in finding himself quarreling with
the perfect wife, a vagrant memory came to George that he had heard
that Genevieve had a hot temper. She certainly had. He didn't notice
how handsome she looked kindled with anger. He only knew that the rose
garden in which they lived was being destroyed by their angry hands;
that the very foundation of the life they had been leading was being
undermined.
The time of mirage and glamour was over. He had ceased being a hero and
an ideal, and why? Because, forgetting his past life, his record, his
achievement, Genevieve obstinately insisted on identifying him with one
single mistake. He was willing to concede it was a mistake. She had not
only identified him with it, but she had called him a number of wounding
things.
Public-domain text, read in full here on John Shaqi.
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