“Then something dreadful happened to me.” She crossed her legs and
gripped her knee between her clasped hands. “My mother urged me to get
married. She was at the end of her string, she confided to me, with
tears in her eyes. She did not want me to repeat her blunder. She
thought I was too impetuous—she said she herself had been too impetuous
and ruined her whole life. I, too, might prove indiscreet if I fell in
love. She believed in the orthodox fashion of French marriages, a
husband chosen by the parents. She wished she had listened to her mother
when she was seventeen. Instead—instead she had a daughter on her hands
without a father to look after her. Men were all alike, she preached to
me, unless they were tied by legal fetters they flew away to warmer
climates when the air at home grew cold. This was a shocking revelation
to me. I had never known my father but my mother had never mentioned his
name so I thought he had died, I asked no further questions. I now
understood my mother’s tragedy—and mine. A few days later she
introduced me to a middle-aged Frenchman and told me he wished to marry
me. He was rich, she added, and would provide well for me. I made no
protests. I married him.”
She paused. There were tears in her eyes, there were tears in her voice.
The poet lay still, his bloodless lips compressed, his paralyzed eyelids
sealed. The clock on the mantel seemed to tick louder than ever. Through
the open glass door over the balcony came noises from the street;
rolling vehicles, snapping whips, floating laughter. The parrot was
calling “_Bon jour_” and then joined in the laughter outside.
Public-domain text, read in full here on John Shaqi.
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