and drive the air current into the several galleries of the pit, and to
make it perform every kind of complex movement, from turning back upon
its own right or left to turning over in a somersault upon itself. The
most curious and admirably simple contrivance is that of splitting the
air by means of a wooden erection, which meets and cuts the current in
two, and sends one part on the one hand and another on the other hand.
In fact, what is commonly practised in minutely irrigating a meadow is
also effected in thoroughly airing a mine. We may form some idea of the
underground travels which the air is thus obliged to perform, by being
forced along from split to split, when we hear that at Hetton Colliery
the ventilating current in the total equals no less than 196,000 cubic
feet of air per minute circulating through the mine at a velocity of 18
feet 3 inches per second.
The foul gases or damps evolved in mines are either heavy or light. The
most remarkable of the former is the _choke-damp_, or _black-damp_, the
name given by the miners to carbonic acid gas. From its great specific
gravity (1·527), this gas rests on the floor of the mine and gradually
accumulates, having no tendency to escape beyond a slow mixture which
takes place with atmospheric air; while the light _fire-damp_, or
carburetted hydrogen, which, though not immediately fatal when breathed,
explodes on the slightest contact with flame, tends to rise to the
surface. The quantity of fire-damp which is poured out into the workings
of some mines is very considerable, and constantly varying. Some seams
of coal are much more full of it than others, and in working these,
which are technically called _fiery seams_, it is not uncommon for a jet
of inflammable air to issue out at every hole made for the reception of
the gunpowder before blasting.
In the celebrated Wallsend Colliery, in an attempt made to work the
Bensham Seam (an attempt which ended in a fearful accident), Mr. Buddle
said, in evidence before a committee of the House of Commons:—‘I simply
drilled a hole into the solid coal, stuck a tin pipe into the aperture,
surrounded it with clay, and lighted it. I had immediately a gas light.
The quantity evolved from the coal was such that in every one of those
places I had nothing to do but to apply a candle, and then could set a
thousand pipes on fire. The whole face of the working was a gas-pipe
from every pore of coal.’
Public-domain text, read in full here on John Shaqi.
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