‘I am certain she is not, poor darling!’ assented Gundred. ‘We must
try to pull her into shape and teach her better,’ she added, with
meditative earnestness, as if coming between husband and wife were the
especial object of a woman’s life and training. ‘And yet, I believe
there are men who admire that sort of girl, Kingston. I never can
understand a man liking a woman who cannot put on a hat properly, but
everybody says they do. I remember Mary Capplethwaite; she was neater
than a new pin, with her hair most beautifully done, and the sweetest
little face. But that did not prevent her husband from running away
with Mildred Gunston, who always looked as if she had been left out
all night in the wind and the rain. Of course, dear Mary may have got
a little monotonous, but, still, I do think it is a great thing to be
tidy and nice--yes?’
‘That is all a man asks of a woman,’ answered Kingston. ‘And one might
ask it for ever of your cousin Isabel, and never get it, I imagine. One
knows that type of woman so well. The idea is that inferior clothes
show a superior soul. The poor things believe that they reveal the
beauty, and the freedom, and the preciousness of their individuality
by neglecting everything that makes the ordinary woman desirable. They
think they are above using the means that no really clever woman ever
disdains. They are the half-baked, the half-clever, the weak, feeble
copies of the strong-minded, strong-souled creatures they imitate and
think they are. One meets them at Oxford; the place swarms with them.
They sham genius by means of untidiness. Half of them are tailor-made
and half of them are æsthetic--in blue plush sleeves and moulting
terra-cotta-coloured plumes, or in short skirts and boat-shaped hats
with a cock’s feather on one side. How well I know it; and that is your
Cousin Isabel.’
‘You really mustn’t dislike the poor darling so dreadfully, dear. We
must make her happy with us. But I am so glad that you agree with me
about that kind of woman. I never can see why one’s hair should not be
properly done, however clever one is--yes? _I_ have never wanted to be
dishevelled or slovenly. We must gradually get poor Isabel into the way
of thinking about her appearance a little more. After all, she ought
to look at least well-bred, dear, and even now she has one or two good
features.’
Public-domain text, read in full here on John Shaqi.
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