Yet my first impressions of the library were bewildering in the
extreme. Not only was the building one of the largest I had seen
(covering not less than five or six acres) but the volumes it harbored
were amazing in their profusion and variety. My first surprise was at
the discovery that there were no railings, fences or locked doors,
as in all other libraries I had known. Here the visitor was admitted
without question to every room and corridor; my second surprise--and
a far greater one--was caused by the queer arrangement of the books.
For the volumes were catalogued and stocked, not alphabetically, but
chronologically; there was a gallery reserved for each century of
Atlantean history, down to the seventh century B. S.; and within the
galleries, the books were arranged by authors and subjects in a way
that impressed me as utterly novel. In a niche among the books, for
example, one would observe the bust of a stern-browed, bearded man;
and, coming close, one would note that this was the poet Sargos; and
just below the bust one would find the complete collection of the
poet’s works, as well as the commentaries upon them. Or, in another
corner of the room, one would pause to admire the painting of a crowded
ancient seaport; and the inscription below the painting would tell one
that this was the vanished maritime city of Therion; and just beneath
this inscription would be the books wherein Therion was pictured and
discussed.
In a way, the building reminded me of a museum as much as of a
library, for, in addition to the paintings and statues, each gallery
was featured by furniture, rugs, vases, tapestries and decorations
that corresponded with the original date of the books. The effect of
oddity was enhanced by the fact that the volumes themselves, while in
many cases modern reprints, were not infrequently bound in the style
of their first editions; and the total impression was most curious
and interesting, considering the contrasting sizes and the numberless
shades and colors of the books, and the various grades of silk,
parchment and artificial leather in which they were attired.
Yet the appearance of the books was the least noteworthy fact about
them. Their sheer abundance was a source of unceasing astonishment
to me--it seemed as if every era in Atlantean history had been a
literary one. As nearly as I could determine, there had been an average
of several hundred books a year which had been thought worthy of
preservation--and the high period of productivity had already endured
for twenty-five centuries! Nor were the favored works merely stored
up in dusty shelves where they might remain forever unnoticed--every
book of the scores which I opened had been well thumbed, and the crowds
constantly browsing along the alcoves and aisles gave evidence that
literary interest was not purely a thing of the past.
Public-domain text, read in full here on John Shaqi.
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