Promptly at noon the following day I presented myself before the
Committee on Selective Assignments. The offices, which I found without
difficulty, were located on the lower floor of an imposing blue-tinted
granite edifice; and the Committee itself occupied a hall reminding me
vaguely of a court-room, except that its ornamental columns and busts
and statues were unparalleled in any court-room I had ever seen. Before
a long marble railing sat about fifteen men and women, some old but
several conspicuously young. All were perched on cushioned marble seats
before little marble pedestals or writing stands, and to their rear
were cases lined with rows of parchment-bound volumes that lent the
place a scholarly dignity. In front of them, across the railing, were
half a dozen tiers of blue stone benches; and on each of the benches
stood a huge pile of books, as though the spectators were expected to
make use of their time during any delay in the proceedings.
But I was not admitted at once into this great hall. First I was
escorted into a small anteroom, where three Atlanteans--two youths
of about twenty, and a girl of the same age--were seated studiously
reading. From a little parchment document which each carried, I felt
sure that they were here on a mission similar to my own; but so
preoccupied did they seem, that I had no opportunity to question them.
For a moment I merely stared at them impatiently; then, turning to
inspect the room, I was delighted to observe a pile of little books on
a reed stand in one corner.
* * * * *
After a single curious glance, I began examining these volumes with
hungry interest. Their very titles proved alluring, far more alluring
than anything printed I had yet seen in Atlantis, with the exception
of the lost Homeric masterpiece. Some were works of information
dealing with subjects so varied as “Post-Submergence Mural Art,” “The
Rise of Government by Selection,” “The Stimulation of Plant Life by
Artificial Sunlight,” “History of the Abolition of Crime,” or “History
of the Decline of the Upper World”; others were essays on such rare
topics as “The Cultivation of Genius,” “Is Altruism One of the Human
Instincts?” and “How Atlantis Found the World by Losing It”; still
others were works of literature, and, though I had no time to observe
them carefully, I saw that they included an epic poem on “Agripides,”
a volume of lyrics by some unknown writer of two thousand years ago
as well as selections from a dozen lyricists of the present, a poetic
drama evidently designed for performance at the annual celebration of
the Submergence, several novels and a collection of stories, and a
romance of the far future entitled “Super-Art.”
Public-domain text, read in full here on John Shaqi.
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