English essays -- 20th century; Short stories, English
Something like that I would say; and it might happen that an insufferable
guest (who never got asked again) would object that the hymn part was
unusual in real warfare.
"They sang it in this piece, anyhow," I would say stiffly, and turn my
back on him and begin.
But the war put a stop to music, as to many other things. For years the
pianola was not played by either of us. We had other things to do. And in
our case, curiously enough, absence from the pianola did not make the
heart grow fonder. On the contrary, we seemed to lose our taste for
music, and when at last we were restored to our pianola, we found that we
had grown out of it.
"It's very ugly," announced Celia.
"We can't help our looks," I said in my grandmother's voice.
"A book-case would be much prettier there."
"But not so tuneful."
"A pianola isn't tuneful if you never play it."
"True," I said.
Celia then became very alluring, and suggested that I might find somebody
who would like to be lent a delightful pianola by somebody whose
delightful wife had her eye on a delightful bookcase.
"I might," I said.
"Somebody," said Celia, "who isn't supplied with music from below."
I found John. He was quite pleased with the idea, and promised to
return the pianola when he got sick of it.
So on Wednesday it went. I was not sorry, because in its silence it was
far from beautiful, and we wanted another book-case badly. But on
Tuesday evening--its last hours with us--I had to confess to a certain
melancholy. It is sad to part with an old and well-tried friend,
particularly when that friend is almost entirely responsible for your
marriage. I looked at the pianola and then I said to Celia, "I must
play it once again."
"Please," said Celia.
"The old masterpiece, I suppose?" I said, as I got it out.
"Do you think you ought to--now? I don't think I want to hear a
charge of the Uhlans--beasts; I want a charge of our own men."
"Art," I said grandly, "knows no frontiers." I suppose this has been
said by several people several times already, but for the moment both
Celia and I thought it was rather clever.
So I placed the roll in the pianola, sat down and began to play....
Ah, the dear old tune....
Dash it all!
"What's happened?" said Celia, breaking a silence which had become
alarming.
"I must have put it in wrong," I said.
I wound the roll off, put it in again, and tried a second time,
pedalling vigorously.
Dead silence....
Hush! A note ... another silence ... and then another note....
I pedalled through to the end. About five notes sounded.
"Celia," I said, "this is wonderful."
It really was wonderful. For the first time in its life my pianola
refused to play "The Charge of the Uhlans." It had played it a hundred
times before the War, but now--no!
We had to have a farewell piece. I put in a waltz, and it played it
perfectly. Then we said good-bye to our pianola, feeling a reverence
for it which we had never felt before.
* * * * *
Public-domain text, read in full here on John Shaqi.
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