The Sunny Side of Diplomatic Life, 1875-1912Hegermann-Lindencrone, L. de (Lillie de)
History
The Sunny Side of Diplomatic Life, 1875-1912
Hegermann-Lindencrone, L. de (Lillie de)
Courts and courtiers; Europe -- Social life and customs
One of the rooms behind the _salon_ (so large that it is divided into
four) has the most beautiful frescoed ceiling. It is a pity that it is
so dark there that one cannot see it properly. Perhaps originally it
was a chapel and the frescoes were easier seen when the altar-candles
were burning. But can one imagine a Borgia needing a chapel or a Borgia
ever praying?
Just around the corner from us is the _campo di fiori_ (field of
flowers), where one might expect to buy flowers, but it is the one
thing you do not find there. Everything else, from church ornaments to
umbrellas, from silver candlesticks to old clothes, you can buy for a
song not so musical as Mendelssohn's "without words"; on the contrary,
the buying of the most insignificant object is accompanied by a volume
of words screamed after the non-buyer in true Jewish style.
Then around another corner you come across the Torso, made famous by
that witty tailor called Pasquino, where he placarded his satirical
witticisms; his post-office for anonymous letters!
We have just come home from the Pantheon. There is held every year for
the anniversary of King Victor Emmanuel's death a memorial service
_pour le repos de son âme_. If it had been my soul it would never have
reposed; it would have jumped up and clapped its wings to applaud the
music, which, though always beautiful, to-day was divine.
I even forgot to freeze during the long two hours we stayed in the
icy-cold building, open to wind and weather above and full of piercing
draughts below. The marble pavement, which has collected damp and mold
since 27 B.C., has long since become so wavy and uneven that you walk
very unsteadily over it; the costly marbles of which the pavement is
made in fine mosaic-work have sunken away from their contours centuries
ago, so that now you only realize how beautiful it must have been in
its prime.
The high and imposing catafalque, erected for this occasion, which
filled the whole center of the large _basilique_, reaching almost to
the dome, was surrounded by enormous candelabra containing wax candles
as big as birch-trees.
The ministers of state and the diplomats had a _loge_ reserved for them
next to the orchestra, and, although there were carpets and rugs under
our feet, the humidity and cold penetrated to the marrow of our
stateful and diplomatic bones.
There were tiers of seats for people who were fortunate enough to
procure tickets.
Gayarré, the wonderful Spanish tenor, sang several solos, each one more
exquisite than the other. I have never heard a more beautiful voice,
and certainly have never heard a more perfect artist. The way he
phrases and manages his voice is a lesson in itself.
Tamagno, the famous Italian tenor, sings wonderfully also, but very
differently. He gives out all the voice he has, and you are overcome
with the strength and power and the compass of his unique voice. He is
the _tenor robusto par excellence_ of the world.
Public-domain text, read in full here on John Shaqi.
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