The Sunny Side of Diplomatic Life, 1875-1912Hegermann-Lindencrone, L. de (Lillie de)
History
The Sunny Side of Diplomatic Life, 1875-1912
Hegermann-Lindencrone, L. de (Lillie de)
Courts and courtiers; Europe -- Social life and customs
The Emperor Wilhelm of Germany died yesterday. Though he was so very
old, the news of his death was unexpected and cast a gloom over Rome.
Of course, all gaieties are ended, and court mourning ordered for three
weeks. King Umberto left directly for Genoa to meet the new Emperor,
who started from San Remo on his way to Berlin. The dinner for King
Umberto's birthday, which was to have been on the 14th, has been
_décommandé_.
The Prince of Naples has already left for Berlin to represent the King
at the Emperor's funeral--his first official act since he has become of
age.
_May 1, 1888._
My dear Aunt,--My letters are very uninteresting. I cannot help it.
There is nothing going on in society. In fact, many of the Italians
have left Rome, and the colleagues are resting on their oars--those who
have any to rest on. I am resting on my "Pinafore" oars. How lucky we
had it when we did!
Taking advantage of this moment of inactivity, the Roman ladies
arranged a charity performance, for which Marquise Del Grillo (Madame
Ristori) promised to give her services. She chose the famous play
"Marie Antoinette," which is supposed to be one of her best. The tickets
were to be procured only from the ladies of the committee (of which I
was one), and, though they cost a fabulous price, the theater was
crammed to suffocation.
Madame Ristori's acting was, of course, perfect, her voice musical, her
Italian delicious, and her gestures were faultless. If one might dare
criticize such an artist, one could say that her movements might have
been a little more queenly, but a queen's grace and dignity must be
very difficult to acquire from sheer imagination. Also her dress was
far from what it ought to have been. I am sure no French dressmaker had
the making of _that_ gown. In the first act Marie Antoinette, in the
_apothéose_ of her glory, wore voluminous skirts and crinoline,
according to the famous picture. Madame Ristori wore a crinoline, to be
sure; but her dress was too short in front and showed her low-heeled
shoes of white satin, and when she moved about her gown of heavy
brocade swayed from side to side like a pendulum.
One recognized the great artist in the scene in the prison, where she
bade the king and her children adieu. This was very touching, and there
was not a dry eye in the audience. I know that _I_ sniffed and wept and
blew my nose, and was quite ashamed of showing my feelings so
explosively.
I went to see her on her reception-day (the next Friday) and found her
in her every-day surroundings, her pretty daughter hovering about with
teacups and cakes, everything looking very home-like and prosaic, and
Marie Antoinette eating sandwiches with a healthy appetite and talking
of the latest gossip. I could hardly believe that I had shed so many
tears over her sad fate a few nights ago.
* * * * *
Public-domain text, read in full here on John Shaqi.
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