The Sunny Side of Diplomatic Life, 1875-1912Hegermann-Lindencrone, L. de (Lillie de)
History
The Sunny Side of Diplomatic Life, 1875-1912
Hegermann-Lindencrone, L. de (Lillie de)
Courts and courtiers; Europe -- Social life and customs
In June and July it is never really dark in these latitudes. The sun
shines till eleven o'clock, the birds sing and bustle about during the
so-called night, and the cocks begin to crow at absurd hours. They must
be perplexed as to what they are doing all these months. The early bird
has to be very early to get off with the worm.
BAYREUTH, _August, 1893_.
Dear L.,--At last my dream of dreams has become a reality--under what
enchanting conditions! Mrs. L., my beloved friend, invited me to stay
three weeks with her in the apartment which she has taken, 28
Opernstrasse, which was the habitation of Wagner's special doctor. Mrs.
L.'s other guests were her sister, her niece, and Mr. and Mrs. Brimmer
from Boston. Johan promised to join us later. Mrs. L, had her own cook
and servants, and we lived like princes of the blood. A walk about the
streets in the morning, then a sumptuous lunch, and then a little
_siesta_ to fit us for the rest (or rather fatigue) of the day.
At a little before four the carriages were at the door and we drove up
the hill to the Shrine, passing the foot-sore and weary pilgrims
toiling on their way. The servant took our hats and coats, for no one
must wear a hat in the audience, and no one needed a coat in this awful
heat.
[Illustration:
THE RIKSDAG OF SWEDEN
From a photograph showing the opening of the Riksdag at Stockholm,
January, 1897. The De Hegermann-Lindencrones were _doyen_ and _doyenne_
of the diplomatic corps; he stands in the gallery on the left, fourth
from end.]
The signal to enter the auditorium is given by a blast of trumpets,
generally the four bars of the most well-known melody in the
to-be-given opera. The only boxes in the theater are in the rear, and
Madame Wagner sits with her family in the middle one. After the people
have taken their seats the house becomes pitch-dark, and from the
depths of the unknown one hears the first notes of the overture. Then
the curtains are noiselessly drawn up. After this no one dares to
breathe--woe to the unlucky one who gets a fit of sneezing or a
tickling in the throat; better die at once than be the recipient of all
the inward curses that are hurled at you! The first act generally lasts
an hour, and the people emerge from the stifling auditorium into the
fresh air with a sigh of relief. The Germans make dashes of kangaroo
leaps toward the casks of beer, and then rush for the tents where they
get something to eat at the price of blood.
The _entr'acte_ lasts an hour; then we hear the blasts of the four
heralds again, which is the signal for the second act to commence, and
so on until ten o'clock at night. Then _home_, where we find a gorgeous
_diner-soupertoire_ which triumphantly ends a day of emotion.
Public-domain text, read in full here on John Shaqi.
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