The Sunny South: An Autumn in Spain and MajorcaClayton, John William
History
The Sunny South: An Autumn in Spain and Majorca
Clayton, John William
Majorca (Spain) -- Description and travel; Spain -- Description and travel
The passages through which we were led were often very draughty; but
the vast gloomy halls were magnificent. Grim statues were arranged
along the walls, and the ceilings were adorned with beautiful
paintings, now fading. The staircases we ascended were so broad and
colossal that they might have supported the tread of giants. We entered
also some dark damp passages, on either side of which were ranged long
rows of gloomy damp cells. As we followed our melancholy guide we asked
him many questions, which were answered in sad tones, accompanied by
sighs. Some enormous courts, open to the day, were covered with the
rank weeds growing between the stones with which they were paved, as
they did on the stupendous walls rising like Titan tombs around us.
We entered a huge vaulted gallery or saloon, with arched roof, and
walls all ablaze with the rich coloured fancies of old painter-poets,
supported by fluted columns of marble with gilded capitals, and
surrounded with splendid cabinets set with jewels. These latter contain
the far-famed illuminated missals and manuscripts of the Escorial.
Through corridor and passage, through cloister and portal, through long
suites of apartments hung with tapestry, lace, and silk, and commanding
from their windows wide-spread views of the desolate plains and rugged
mountains, we followed our dejected guide, ever and anon meeting his
earnest glance. Passing through a low stone doorway we came suddenly
into a lofty, superb, and solemn temple, supported by great granite
piers, massy and solid enough in appearance to sustain the fabric of a
world. When one contemplated the height of the stately walls, he could
not but regard with wonder the amount of labour that must have been
expended in the erection of a building of such amazing dimensions.
One of the great ends which these noble temples serve is the production
of that feeling of veneration with which one cannot but be inspired
when he enters their precincts. Devotion is readily kindled at such
altars; and those who covered the face of Europe with these Christian
fanes, knew well how they might best gather into one flock all who
desired to make open profession of their Christian faith.
We next ascended a broad flight of red-stained steps, and saw before
us the high altar, formed of a variety of precious marbles, and inlaid
with jasper. Above it rises the _retablo_, which is supported to the
height of ninety-three feet by noble columns of the four orders of
architecture, and composed of red granite, precious jaspers, and gilded
bronze; while beneath the broad marble platform on which we stand is
the Panteon--the burial-chamber of the kings of Spain.
Public-domain text, read in full here on John Shaqi.
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