The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
Rider Haggard, in _She_ and _Ayesha_, its sequel, describes a
wonderful woman who possesses the secret of eternal life and has lived
for thousands of years, ever young and beautiful, supernaturally
enchanting. Her magic potion not only gives her length of days but
protection against danger as well, for her rival's dagger glances
harmlessly away from her, and she is proof against chance and fate.
She gains her immortal life partly by bathing in a secret essence or
vapor whose emanations give her mystic force and immortal beauty.
There are many other elements of supernaturalism in association with
the not impossible She,--magic vision, reincarnation, a mystic light
that envelops her body, the power to call up the dead, to reanimate
the skeletons in the desert and raise them to dreadful life. She is an
interesting but fearsome personality.
In _Ahrinziman_, by Anita Silvani, we have magic chemistry yielding up
the elixir of life. Jelul-uh-din has lived for five hundred years and
looks forward to a still more protracted existence. His magic drug not
only gives him prolonged life but will do anything he wishes besides,
since he has hypnotized it. Yet he is found dead. "On his wrists were
marks of giant fingers, scorched and burnt into the flesh like marks
of hot iron. And on his throat were marks of a similar hand which had
evidently strangled him." It is apparent that his master, the De'il,
got impatient and cut short the leisurely existence that he felt
belonged to him.
Hawthorne was greatly interested in the theme of the elixir of life. He
gives us two brews of it in _Septimius Felton_, one an Indian potion
concocted by an old sachem. The red man gets so old that his tribe
find him a great nuisance and obstacle to progress so they gravely
request permission to kill him. But his skull is so hard that the stone
hammers are smashed when they try to brain him, his skin so tough
that no arrows will pierce it, and nothing seems to avail. Finally
they fill his mouth and nostrils with clay and put him in the sun to
bake, till presently his heart bursts with a loud explosion, tearing
his body to fragments. This brew of his is matched by one made by an
European scientist after long endeavors. Here the ultimate ingredient
is supposed to be a strange herb that grows from a mysterious grave.
At last, just when the youth thinks he has the right combination, the
woman who has lured him on to destruction dashes the cup from his lips,
saving him from the poison he would have drunk. The flower has grown
from the grave of her lover, whom the young scientist has murdered.
Public-domain text, read in full here on John Shaqi.
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