The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The Proceedings of the Psychical Research Society have a twofold
association with literature, for not only have various modern novels
and stories been inspired by such material, but the instances recorded
are similar in many cases to the classical ghost stories. Lacy
Collison-Morley in his _Greek and Roman Ghost Stories_ says, "There
are a number of stories of the passing of souls which are curiously
like some of those collected by the Psychical Research Society, in
the Fourth Book of Gregory the Great's _Dialogues_." The double
source of many modern stories may be found by a comparative study of
Collison-Morley's book and Myers's _Human Personality_, while G. H.
Gerould's volume, _The Grateful Dead_, introduces recent instances that
are like classical stories. The inability of the soul to have rest in
the other world if its body was unburied, as held by the ancients,
is reflected in Gothic romance, Elizabethan drama as well as in the
classics. The ghost of Jack, whom Peele tells us about, is a case of a
ghost coming back to befriend his undertaker. From these comparisons
it would appear that there is something inherently true to humanity
in these beliefs, for the revenge ghost and the grateful dead have
appeared all along the line. Perhaps human personality is largely the
same in all lands and all times, and ghosts have the same elemental
emotions however much they may have acquired a veneer of modernity.
There are many instances of the compact-ghost, the spirit who returns
just after death in accordance with a promise made in life, to manifest
himself to some friend or to some skeptic. Algernon Blackwood gives
several stories based on that theme, one a curious case where the ghost
is so lifelike his friend does not dream he is not the living man,
and assigns him to a bedroom. Later he is invisible, yet undoubtedly
present, for his heavy breathing, movements of the covers, and impress
on the bed are beyond dispute. _Afterwards_, by Fred C. Smale, shows a
ghost returning to attend a neighborhood club. When his name is called
by mistake, he takes part on the program, speaking through the lips of
a young man present, who goes off in a cataleptic trance. During this
coma the youth, who is ignorant of music, gives a technical discussion
of notation, analyzing diatonic semi-tones and discussing the note a
nightingale trills on. When he wakes he says he has felt a chill and
a touch. Alice Brown relates a story of a lover who promised to come
to his sweetheart at the moment of death, but who, like Ahimeas in the
Bible, runs before he is ready, and keeps his ghostly tryst while the
rescuers bring him back to life. He hasn't really been drowned at all.
Public-domain text, read in full here on John Shaqi.
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