Other stories of life after death, given from the spirit-angle rather than from the mortal point of view as in most ghost stories, are among the recent types of supernaturalism. Alice Brown has several stories of the kind, in one showing a woman who comes to tell her friend not to be afraid of dying, because There is much like Here, and another symbolic of the power of love to come back even from the pit of blackness after death. Olivia Howard Dunbar's _The Shell of Sense_ gives the psychosis of a woman who cannot go to heaven because she is jealous of her husband. She _sees_ the form of the wind, _hears_ the roses open in the garden, and senses many things unknown to human beings, yet is actuated by very human motives. Katherine Butler[178] suggests that death must be a painless process and the after life much like mortality, since the man doesn't realize that he is dead but attempts to go about his affairs as usual. [178] In _In No Strange Land._ The symbolic treatment of the theme of life after death is more effective and shows more literary art than the conventional pictures of Mrs. Ward's and Mrs. Oliphant's. No human vocabulary is able to describe immortality of glory or despair, hence it is more effective merely to suggest the thought by allegory or symbolism. Hawthorne gives us a symbolic morality in _The Celestial Railroad_, where he pictures the road between heaven and hell, drawing on Bunyan's imagery to describe the landscape and characters. Apollyon is engineer and emits realistic blasts of smoke. Eugene Field[179] tells of a mother just entering heaven who asks an angel where she may find her little baby, dead long ago, to whom the angel whispers that she is the babe, grown to maturity in Paradise. Julian Hawthorne's _Lovers in Heaven_ is a symbolic picture of the after life, where a man just dead goes in search of the beloved he lost long before. He sees her on the far slope of a heavenly hill, but before he can reach her the devil appears to him in his own double, "the Satan of mine own self, the part of me wherein God had no share." This is a quite modern concept of diabolism. But love struggles to save him, and he resists his evil self. [179] In _The Mother in Paradise_.