The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
In considering these various types of stories dealing with supernatural
life, whether continued beyond the mortal span on earth, renewed by
reincarnation, or taken up in another world after death, we find that
several facts seem to appear with reference to the type chosen for
treatment by men as distinct from women, and _vice versa_. So far as my
search has gone, I have found no instance in English literature where a
woman has used either the motif of the Wandering Jew or the Elixir of
Life. I do not say that no such instances exist, but I have not found
them. Carmen Sylva is the only woman I know of at all who has taken up
the characterization of the Wandering Jew. On the other hand, women
write often of heaven, most of the stories of conventional ideas of
heaven being by women. Where men have pictured heaven or hell they have
done it for the most part humorously, satirically or symbolically. They
seem to curve round the subject rather than to approach it directly.
Yet where it is a question of continuing life here in this world, by
means of an elixir or other method, or as an ever-living being like the
Jew, men have used the theme frequently. Since fiction does reflect
our thought-life and our individual as well as racial preferences, the
conclusions that might be drawn, if one were sure of their basis, would
be interesting. Can it be that men are more deeply interested in this
life on earth and cling to it in thought more tenaciously than women,
and that women are more truly citizens of the other world? Are men
skeptical of the existence of any but a satiric or symbolic heaven, or
merely doubtful of reaching there?
CHAPTER VI
The Supernatural in Folk-Tales
The folk-tale is one of the new fashions in fiction. True, folk-lore
has long constituted an important element of literature, constantly
recurring in poetry, particularly in the ballad, in the drama, the
novel, and short story. Yet it has been in solution. It has not been
thought important enough to merit consideration for its own sake, but
has been rather apologized for, covered up with other materials, so
that its presence is scarcely recognized. Now, however, as Professor
Kittredge says, folk-lore is no longer on the defensive, which fact
is evident in fiction as elsewhere. Scholars of our day are eagerly
hunting down the various forms of folk-lore to preserve them in
literature before they vanish completely, and learned societies
are recording with care the myths and legends and superstitions of
peasants. Many volumes have appeared giving in literary form the
fictions of various races and tribes, and comparative folk-lore is
found to be an engrossing science.
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