The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The appeal of ghosts to the sight has already been discussed so
need not be mentioned here. But the element of invisibility enters
in as a new and very terrible form of supernatural manifestation
in later fiction. In spite of the general visibility, some of the
most horrible tales turn on the fact that the haunter is unseen.
H. G. Wells's _Invisible Man_ is a human being, not a ghost; yet the
story has a curdling power that few straight ghost stories possess.
Maupassant's _La Horla_ is a nightmare story of an invisible being
that is terrific in its effect. The victim knows that an unseen
yet definite and determined something is shut in his room with him
night after night, eating, drinking, reading, sitting on his chest,
driving him mad. Ambrose Bierce's _The Damned Thing_ is a gruesome
story of invisibility, of a something that is abroad with unearthly
power of evil, whose movements can be measured by the bending of the
grasses, which shuts off the light from other objects as it passes,
which struggles with the dogs and with men, till it finally kills
and horribly mangles the man who has been studying it, but is never
seen. Another[96] has for its central figure a being that violently
attacks men and is overpowered and tied only by abnormal strength,
that struggles on the bed, showing its imprint on the mattress, that
is imprisoned in a plaster cast to have its mold taken, that is heard
breathing loudly till it dies of starvation, yet is absolutely never
visible. Blackwood's Fire Elemental may be seen moving along only by
the bending of the grass beneath it and by the trail it leaves behind,
for though it is audible yet it is never seen. As a brave man said of
it, "I am not afraid of anything that I can _see_!" so these stories
of supernatural invisibility have a chilling horror more intense than
that of most ghostly tales. The element of invisibility of unmistakably
present spirits is shown in other stories.
[96] _What Was It? A Mystery_, by Fitz-James O'Brien.
One tender story of an invisible ghost is told in _In No Strange
Land_,[97] of a man killed suddenly in a wreck while on his way home
to the birthday dinner his wife is preparing for him. He does not know
that he has been hurt; but while his dead body lies mangled under the
wreckage his spirit hurries home. He swears whimsically under his
breath at some interruption and thinks with joy of the happy little
group he will meet. But when he enters his home he cannot make them see
or hear him. They are vaguely aware of some strange influence, are awed
by it, and the little son with the poet's heart whispers that he hears
something, but that is all. The man stands by, impotently stretching
out his arms to them till he hears the messenger tell them that he is
dead.
[97] By Katherine Butler.
Public-domain text, read in full here on John Shaqi.
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