Evidence of the appearance of the devil was various and contradictory. Some at the _Domdaniel_, the place of assemblage, had a vision of a hideous wild he-goat upon a large gilded throne; others of a man twisted and disfigured by Tartarean torture; of a gentleman in black with a sword, booted and spurred; to others he seemed as some shapeless indistinct object, as that of the trunk of a tree, or some huge rock or stone. They proceeded to their meetings riding on spits, pitchforks, broom-sticks: being entertained on their arrival in the approved style, and indulging in the usual licence. Deputies from witchdom attended from all parts, even from Scotland. When reproached by some of his slaves for failing to come to the rescue in the torture-chamber or at the stake, their lord replied by causing illusory fires to be lit, bidding the doubters walk through the harmless flames, promising not more inconvenience in the bonfires of their persecutors. Lycanthropic criminals were also brought up who had prowled about and devastated the sheepfolds. Espaignol and De l'Ancre were provided with two professional Matthew Hopkinses: one a surgeon for examining the 'marks' (generally here discovered in the left eye, like a frog's foot) in the men and older women; the other a girl of seventeen, for the younger of her sex. Many of the priests were executed; several made their escape from the country. Besides the work before mentioned, De l'Ancre published a treatise under the title of 'L'Incredulite et Mescreance du Sortilege pleinement convaincue,' 1622. The expiration of the term of the Bordeaux commission brought the proceedings to a close, and fortunately saved a number of the condemned. In Spain, the land of Torquemada and Ximenes, which had long ago fanatically expelled the Jews and recently its old Moorish conquerors from its soil, the unceasing activity of the Inquisition during 140 years must have extorted innumerable confessions and proofs of diabolic conspiracies and heresy. Antonio Llorente, the historian of the Inquisition, to whose rare opportunities of obtaining information we are indebted for some instructive revelations, has exposed a large number of the previously silent and dark transactions of the Holy Office. But the demonological ideas of the Southern Church and people are profusely displayed in the copious dramatic literature of the Spaniards, whose theatre was at one time nearly as popular, if not as influential, as the Church. The dramas of the celebrated Lope de Vega and of Calderon in particular, are filled with demons as well as angels[122]--a sort of religious compensation to the Church for the moral deficiencies of a licentious stage, or rather licentious public.