While they gazed on this miserable object, the guide acquainted them
with his tragical history. Sadhu Sing had been a Sipahee, or soldier,
and freebooter of course, the native and the pride of a half-ruined
village which they had passed on the preceding day. He was betrothed to
the daughter of a Sipahee, who served in the mud fort which they saw
at a distance rising above the jungle. In due time, Sadhu, with his
friends, came for the purpose of the marriage, and to bring home the
bride. She was mounted on a Tatoo, a small horse belonging to the
country, and Sadhu and his friends preceded her on foot, in all their
joy and pride. As they approached the nullah near which the travellers
were resting, there was heard a dreadful roar, accompanied by a shriek
of agony. Sadhu Sing, who instantly turned, saw no trace of his bride,
save that her horse ran wild in one direction, whilst in the other the
long grass and reeds of the jungle were moving like the ripple of the
ocean, when distorted by the course of a shark holding its way near the
surface. Sadhu drew his sabre and rushed forward in that direction; the
rest of the party remained motionless until roused by a short roar of
agony. They then plunged into the jungle with their drawn weapons, where
they speedily found Sadhu Sing holding in his arms the lifeless corpse
of his bride, where a little farther lay the body of the tiger, slain
by such a blow over the neck as desperation itself could alone have
discharged.--The brideless bridegroom would permit none to interfere
with his sorrow. He dug a grave for his Mora, and erected over it the
rude tomb they saw, and never afterwards left the spot. The beasts of
prey themselves seemed to respect or dread the extremity of his sorrow.
His friends brought him food and water from the nullah, but he neither
smiled nor showed any mark of acknowledgment, unless when they brought
him flowers to deck the grave of Mora. Four or five years, according to
the guide, had passed away, and there Sadhu Sing still remained among
the trophies of his grief and his vengeance, exhibiting all the symptoms
of advanced age, though still in the prime of youth. The tale hastened
the travellers from their resting-place; the Vakeel because it reminded
him of the dangers of the jungle, and Hartley because it coincided too
well with the probable fate of his beloved, almost within the grasp of a
more formidable tiger than that whose skeleton lay beside Sadhu Sing.
Public-domain text, read in full here on John Shaqi.
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