Tippoo himself next appeared, richly apparelled, and seated on
an elephant, which, carrying its head above all the others in the
procession, seemed proudly conscious of superior dignity. The howdah, or
seat which the Prince occupied, was of silver, embossed and gilt, having
behind a place for a confidential servant, who waved the great chowry,
or cow-tail, to keep off the flies; but who could also occasionally
perform the task of spokesman, being well versed in all terms of
flattery and compliment. The caparisons of the royal elephant were of
scarlet cloth, richly embroidered with gold. Behind Tippoo came the
various courtiers and officers of the household, mounted chiefly on
elephants, all arrayed in their most splendid attire, and exhibiting the
greatest pomp.
In this manner the procession advanced down the principal street of the
town, to the gate of the royal gardens. The houses were ornamented
by broad cloth, silk shawls, and embroidered carpets of the richest
colours, displayed from the verandahs and windows; even the meanest hut
was adorned with some piece of cloth, so that the whole street had a
singularly rich and gorgeous appearance.
This splendid procession having entered the royal gardens, approached,
through a long avenue of lofty trees, a chabootra, or platform of white
marble, canopied by arches of the same material, which occupied the
centre. It was raised four or five feet from the ground, covered with
white cloth and Persian carpets. In the centre of the platform was the
musnud, or state cushion of the prince, six feet square, composed
of crimson velvet, richly embroidered. By special grace, a small low
cushion was placed on the right of the Prince, for the occupation of the
Begum. In front of this platform was a square tank, or pond of marble,
four feet deep, and filled to the brim, with water as clear as crystal,
having a large jet or fountain in the middle, which threw up a column of
it to the height of twenty feet.
The Prince Tippoo had scarcely dismounted from his elephant, and
occupied the musnod, or throne of cushions, when the stately form of the
Begum was seen advancing to the place of rendezvous. The elephant being
left at the gate of the gardens opening into the country, opposite to
that by which the procession of Tippoo had entered, she was carried
in an open litter, richly ornamented with silver, and borne on the
shoulders of six black slaves. Her person was as richly attired as silks
and gems could accomplish.
Public-domain text, read in full here on John Shaqi.
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