British -- France -- Fiction; Humorous stories; Riviera (France) -- Fiction; Spouses -- Fiction
Besides these muttered spells in which, after long listening, she
could only make out occasionally "ne va
plus"--"rouge"--"treize"--"vingt-sept," the only sound was the
perpetual clink of coins, which after every utterance began to dance
from hand to hand and fly hither and thither, as if trying to evade
the incessant pursuit of small wooden rakes and clutching hands
sparkling with diamonds, grimed with long-established dirt, white and
brown, yellow and black, red, skinny, and fat. Sometimes two hands
clutched the same pile of coin, when there were hurried mutterings
and looks of suppressed fury; anon a wooden rake smote an encroaching
paw urgently from its golden prey, and there was silence.
On what principle the piles of gold and sheaves of fluttering notes
before each worshipper by the little books of ritual they consulted
so devoutly, were increased and diminished, was a mystery to the
spectator, who saw nothing but a mystic and subtly woven dance of
coins and notes crossing and recrossing over the morrice of the green
table with rhythmic intermittance, dependent upon the dark utterance
of him who turned the wheel. But little by little she gathered that
coin placed in one way increased or diminished two-fold, in another
five-fold, in another thirty-fold, and found herself handing louis
and notes from those behind to the croupier for change, and gloating
over the golden multitudes that came rolling to the calm worshippers.
The thin man, easily tired and overcome by evil air, had been
compassionately despatched to a café to wait for her; he had modestly
owned to a weakness for staking a couple of louis now and again for
pastime; this lowered him perceptibly in his companion's esteem.
But when he was gone and the glittering heaps had wrought their
mesmerism, he was more leniently judged; and certain five-franc
pieces in Mrs. Allonby's bag seemed to ask aloud to play a part in
the morrice dance on the green; they even worked their way out, after
a little, and insisted on planting themselves in certain squares,
returning--she never knew how or why--with a partner apiece, and
bringing a pleasant glow to their owner's cheek.
"You have never played before?" asked a genial English voice at her
elbow. "Would you mind putting this across that corner for me for
luck?"
She willingly placed the louis on the corner of the four spaces
indicated, scarcely glancing at the player, who was sitting in the
front row, with notebook and pencil, piles of coin and notes, all in
most business-like array before him; but when he turned and looked up
to bow his thanks, with a sudden sweet smile on his grave and anxious
face, she recognized the Cyrano de Bergerac of the Carnival. She had
been so intent on the morrice, and he so near below her, only the
close-cropped head, bent over the pencilled calculations, visible,
that she had not recognized him until he turned.
Public-domain text, read in full here on John Shaqi.
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