[Illustration: Fig. 155. GREEK VASE, OINOCHOË, WITH TWO PAINTED SWASTIKAS. De Mortillet, "Musée Préhistorique," fig. 1244. 1/4 natural size.] [Illustration: Fig. 156. CYPRIAN VASE WITH SWASTIKAS AND FIGURE OF ANIMAL.[173] Cesnola, "Cyprus, its Ancient Cities, Tombs, and Temples," pl. 45, fig. 36.] [Illustration: Fig. 157. ARCHAIC GREEK POTTERY FRAGMENT. Santorin, Ancient Thera. Waring, "Ceramic Art in Remote Ages," pl. 42 fig. 2.] Figs. 133 and 134, from Naukratis, afford palpable evidence of the different origin of the Swastika and the Greek fret. Evidently Grecian vases, though found in Egypt, these specimens bear side by side examples of the fret and the Swastika, used contemporaneously, and both of them complete and perfect. If one had been parent of the other, they would have belonged to different generations and would not have appeared simultaneously on the same specimen. Another illustration of simultaneous use is in fig. 194, which represents an Etruscan vase[174] ornamented with bronze nail heads in the form of Swastikas, but associated with it is the design of the Greek fret, showing them to be of contemporaneous use, and therefore not, as Professor Goodyear believes, an evolution of one from the other. The specimen is in the Museum at Este, Italy. [Illustration: Fig. 158. CYPRIAN VASE WITH LOTUS AND SWASTIKAS AND FIGURE OF BIRD. Metropolitan Museum of Art, New York City. Goodyear, "Grammar of the Lotus," pl. 60, fig. 15.] [Illustration: Fig. 159. CYPRIAN VASE WITH TWO SWASTIKAS. Cesnola Collection, Metropolitan Museum of Art, New York City. Goodyear, "Grammar of the Lotus," fig. 151.] The Greek fret has been in common use in all ages and all countries adopting the Grecian civilization. Equally in all ages and countries has appeared the crossed lines which have been employed by every architect and decorator, most or many of whom had no knowledge of the Swastika, either as an ornament or as a symbol.[175] [Illustration: Fig. 160. FRAGMENT OF TERRA COTTA VASE WITH SWASTIKAS, FROM RUINS OF TEMPLE AT PALEO-PAPHOS. Depth, 40 feet. Cesnola, "Cyprus, its Ancient Cities, Tombs, and Temples," p. 210.] [Illustration: Fig. 161. WOODEN BUTTON, CLASP, OR FIBULA COVERED WITH PLATES OF GOLD. Ogee Swastika, tetraskelion in center. Schliemann, "Mycenæ," fig. 385.] [Illustration: Fig. 162. DETAIL OF GREEK VASE WITH FIGURE OF GOOSE, HONEYSUCKLE (ANTHEMION), AND SPIRAL SWASTIKA. Thera. "Monumenti Inedite," LXV, p. 2, and Goodyear, "Grammar of the Lotus," pl. 46, fig. 7.]