The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric TimesWilson, Thomas
Religion
The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric Times
Wilson, Thomas
Industries, Primitive; Swastikas; Symbolism
He says[185] that the Swastika as well as the "Croix cantonnée" (with
points or dots), while possibly not always the equivalent of the solar
disk, zigzag lightning, or the double hatchet, yet are employed together
and are given the same signification, and frequently replace each other.
It is his opinion[186] that the Swastika in Cyprus had nearly always a
signification more or less religious, although it may have been used as an
ornament to fill empty spaces. His interpretation of the Swastika in
Cyprus is that it will signify _tour à tour_ the storm, the lightning, the
sun, the light, the seasons--sometimes one, sometimes another of these
significations--and that its form lends itself easily (_facilement_) to
the solar disk, to the fire wheel, and to the sun chariot. In support of
this, he cites a figure (fig. 179) taken from Cesnola,[187] in which the
wheels of the chariot are decorated with four Swastikas displayed in each
of the four quarters. The chief personage on the car he identifies as the
god of Apollo-Resef, and the decoration on his shield represents the solar
disk. He is at once the god of war and also the god of light, which
identifies him with Helios. The other personage is Herakles-Mecquars, the
right hand of Apollo, both of them heroes of the sun.
[Illustration: Fig. 178. CYPRIAN VASE WITH FIGURES OF BIRDS AND SWASTIKA
IN PANEL. Musée St. Germain. Ohnefalsch-Richter, Bull. Soc. d'Anthrop.,
Paris, 1888, p. 674, fig. 6.]
[Illustration: Fig. 179. CHARIOT OF APOLLO-RESEF. Sun symbol(?) on shield
and four Swastikas (two right and two left) on quadrants of chariot
wheels. Cesnola, "Salaminia," p. 240, fig. 226, and Ohnefalsch-Richter,
Bull. Soc. d'Anthrop., Paris, 1888, p. 675, fig. 7.]
The supreme goddess of the Isle of Cyprus was Aphrodite-Astarte,[188]
whose presence with a preponderating Phenician influence can be traced
back to the period of the age of iron, her images bearing signs of the
Swastika, being, according to Dr. Ohnefalsch-Richter, found in Cyprus. In
fig. 180 the statue of this goddess is shown, which he says was found by
himself in 1884 at Curium. It bears four Swastikas, two on the shoulders
and two on the forearms. Fig. 181 represents a centaur found by him at the
same time, on the right arm of which is a Swastika painted in black, as in
the foregoing statue.
[Illustration: Fig. 180. TERRA-COTTA STATUE OF THE GODDESS
APHRODITE-ASTARTE WITH FOUR SWASTIKAS.[189] Curium, Cyprus.
Ohnefalsch-Richter, Bull. Soc. d'Anthrop., Paris, 1888, p. 676, fig. 8.]
[Illustration: Fig. 181. CYPRIAN CENTAUR WITH ONE SWASTIKA. Cesnola,
"Salaminia," p. 243, fig. 230; Ohnefalsch-Richter, Bull. Soc. d'Anthrop.,
Paris, 1888, p. 676, fig. 9.]
We have found, in the course of this paper, many statues of human figures
bearing the mark of the Swastika on some portion of their garments. M.
Ohnefalsch-Richter, on page 677, gives the following explanation thereof:
Public-domain text, read in full here on John Shaqi.
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