Switzerland; Switzerland -- Politics and government -- 1815-
The last solemnities, those of death and burial, have among the
peasants of the Latin Cantons something violent and passionate in their
character. For several Sundays after the funeral the women, dressed in
mourning with a head-band across the forehead, meet in the cemetery
around the grave, and, in a mournful and harrowing concert, renew their
tears and lamentations. The nearest relations carry the coffin; little
children follow, dressed as angels, all in white, with crowns on their
heads; then come the _white penitents_, dressed in their death-shirt,
or the robe of the brotherhood. White is the mourning color, and
persons with whom you meet with a broad white band on their dress have
lost a member of their family.
The picturesque costumes of the Swiss peasantry, which formerly were
the pride and distinguishing marks of the several Cantons, have almost
disappeared; their use being confined to holidays, festivals, or as
advertisements at public resorts. The Bernese have their snow-white
shift-sleeves rolled up to the shoulder exposing to view a sinewy
sunburnt arm, the dark-red stays laced with black in front, silk
aprons, silver chains, and buckles, colored skirts just short enough to
show a home-made white stocking, a heavy gaiter shoe, a beehive-shaped
hat, and long yellow hair in a single plait hanging down nearly to the
heels, along a back made very straight by the habit of carrying pails
of milk and water on the head. In French Switzerland long tresses,
trimmed with black ribbon, descend on each side of the neck, a narrow
dark bodice restrains the waist, the bosom is covered by a chemise
plaited in a thousand folds and whiter than snow, a short and ample
under-petticoat leaves the leg exposed above the ankle, and red garters
full in sight. These costumes really have nothing to recommend them
except their peculiarity; there is something very irresponsive in them,
adding nothing to the beauty of person or grace of bearing, but simply
tending to make the wearers, like Lord Dundreary’s girls, “look more
or less alike, generally more alike;” none of them are pretty except
on paper, yet even the ugliest of them all, worn by the homeliest
women, help to make up the sum of national peculiarities and add to the
picturesqueness. The men affect immensely broad pants, a large round
coat high in the collar, short in the waist, with two little ludicrous
tails in the very small of the back, and a soft beaver hat pushed
sideways on the head; the complete appearance is sometimes suggested
of a walking porpoise. The present ordinary male and female dress is
somewhat sombre, little use of bright color is made, and regard is had
for that which will wear best and require least washing; the material
is either undyed homespun woollen cloth or coarse blue frieze, and the
garments are clumsily made, stiff and heavy.
Public-domain text, read in full here on John Shaqi.
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