Switzerland; Switzerland -- Politics and government -- 1815-
not a single massive pyramid, but a series of crests rising
terrace-fashion above each other, with a zone of névés and glaciers.
The pure, unsullied snow which always covers this mountain, it is
supposed, gave occasion to its name, which signifies “the virgin.” It
is a prime favorite with the Swiss,--the great Diana of the Oberland
range. There is some spell, some mysterious potency in it. A sight
never to be forgotten, is to behold the marble dome of this stately
temple of nature, kindling in the fire of the setting sun, or silvering
in the light of a full moon, with the gold-fringed clouds playing
wantonly about,--
“To bathe the virgin’s marble brow,
Or crown her head with evening gold.”
On the Wengern Mountain, in full view of the Jungfrau, in 1816, Byron
composed three of his noblest poems,--“The Prisoner of Chillon,” the
third canto of “Childe Harold,” and “Manfred,” in the latter of which
he describes the Jungfrau as
“This most steep, fantastic pinnacle,
The fretwork of some earthquake,--where the clouds
Pause to repose themselves in passing by.”
All the Alps have, more or less, naked excrescences, which rise above
the crest of the range, and which, in the language of the country, are
not inaptly termed “dents,” from some fancied and plausible resemblance
to human teeth.
Professor Tyndall, writing of the wondrous scene presented by the
Swiss mountains, says: “I asked myself, how was this colossal work
performed? Who chiselled these mighty and picturesque masses out of
a mere protuberance of the earth? And the answer was at hand. Ever
young, ever mighty, with the vigor of a thousand years still within
him, the real sculptor was even then climbing up the eastern sky. It
was he who raised aloft the waters which cut out the ravines; it was he
who planted the glaciers on the mountain slopes, thus giving gravity
a plough to open up the valleys; and it is he who, acting through
the ages, will finally lay low these mighty mountains, rolling them
gradually seaward, sowing the seeds of continents to be, so that the
people of another earth may see mould spread and corn wave over the
hidden rocks which at this moment bear the weight of the Jungfrau.”
Public-domain text, read in full here on John Shaqi.
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