In this room and in all the others everything was arranged with order and method, as if one were going away for a long time. Dick drew a chair near the window, that he had opened slightly, and sat down. Much of his fear for his mother disappeared. It was obvious that she and her faithful attendant, Juliana, had gone, probably to be out of the track of the armies or to escape plundering bands like Skelly's. He wondered where she had gone, whether northward or southward. There were many places that would gladly receive her. Nearly all the people in this part of the state were more or less related, and with them the tie of kinship was strong. It was probable that she would go north, or east. She might have gone to Lexington, or Winchester, or Richmond, or even in the hills to Somerset. Well, he could not solve it. He was deeply disappointed because he had not found her there, but he was relieved from his first fear that the guerillas had come. He closed and fastened the window again, and then walked all through the house once more. His eyes had now grown so used to the darkness that he could see everything dimly. He went into his own room. A picture of himself that used to hang on the wall now stood on the dresser. He knew very well why, and he knew, too, that his mother often passed hours in that room. Below stairs everything was neatness and in order. He went into the parlor, of which he had stood in so much awe, when he was a little child. The floor was covered with an imported carpet, mingled brown and red. A great Bible lay upon a small marble-topped table in the center of the room. Two larger tables stood against the wall. Upon them lay volumes of the English classics, and a cluster of wax flowers under a glass cover, that had seemed wonderful to Dick in his childhood. But the room awed him no more, and he turned at once to the great squares of light that faced each other from wall to wall. A famous portrait painter had arisen at Lexington when the canebrake was scarcely yet cleared away from the heart of Kentucky. His work was astonishing to have come out of a country yet a wilderness, and a century later he is ranked among the great painters. But it is said that the best work he ever did is the pair of portraits that face each other in the Mason home, and the other pair, the exact duplicates that face each other in the same manner in the Kenton house.