As for her husband, he stood a few minutes where she left him, abstractedly eying the gorgeous vista that spread out before him down to the further mirror of the elaborate drawing-room, thinking perhaps with a certain degree of pride, of the swiftness with which he had risen to opulence and the certainty with which he had conquered position in the business as well as in the social world when he could speak of such a connection with Thaddeus Stuyvesant as a project already matured. Then with a hasty movement and a quick sigh which nothing in his prospects actual or apparent would seem to warrant, he proceeded to put out the lights, my lady’s picture shining with less and less importunity as the flickering jets disappeared, till all was dark save for the faint glimmer that came in from the hall, a glimmer just sufficient to show the outlines of the various articles of furniture scattered about—and could it be the tall figure of the master himself standing in the centre of the room with his palms pressed against his forehead in an attitude of sorrow or despair? Yes, or whose that wild murmur, “Is it never given to man to forget!” Yet no, or who is this that calm and dignified, steps at this moment from the threshold? It must have been a dream, a phantasy. _This_ is the master of the house who with sedate and regular step goes up flight after flight of the spiral staircase, and neither pauses or looks back till he reaches the top of the house where he takes out a key from his pocket, and opening a certain door, goes in and locks it behind him. It is his secret study or retreat, a room which no one is allowed to enter, the mystery of the house to the servants and something more than that to its inquisitive mistress. What he does there no man knows, but to-night if any one had been curious enough to listen, they would have heard nothing more ominous than the monotonous scratch of a pen. He was writing to Miss Belinda and the burden of his letter was that on a certain day he named, he was coming to take away Paula. XII. MISS BELINDA MAKES CONDITIONS. “For of the soul the body form doth take, For soul is form, and doth the body make.”—SPENSER. Miss Belinda was somewhat taken aback at the proposal of Mr. Sylvester to receive Paula into his own house. She had not anticipated any such result to her efforts; the utmost she had expected was a couple of years or so of instruction in some state Academy. Nor did she know whether she was altogether pleased at the turn affairs were taking. From all she had heard, her niece Ona was, to say the least, a frivolous woman, and Paula had a mind too noble to be subjected to the deteriorating influence of a shallow and puerile companionship. Then the child had great beauty; Mr. Sylvester who ought to be a judge in such matters had declared it so, and what might not the adulation of the thoughtless and the envy of the jealous, do towards belittling a nature as yet uncontaminated.