“The panel where Cousin Ona’s picture used to hang, has been filled by one of Meissonier’s most interesting studies; and though I never thought Mr. Sylvester particularly fond of the French style of art, he seems very well satisfied with the result. I cannot understand how Cousin Ona can regard the misfortune to her portrait so calmly. I think it would break my heart to see a husband look with complacency on any picture, no matter how exquisite, that took the place of my own, especially if like her’s, it was painted in my bridal days. I sometimes wonder if those days are as sacred to the memory of husband and wife as I have always imagined them to be.” * * * * * “Why does Cousin Ona never speak of Grotewell, and why, if by chance I mention the name, does she drop her eyes and a shadow cross the countenance of Mr. Sylvester?” * * * * * “There is a word Mr. Sylvester uses in the most curious way; it is _fuss_. He calls everything a fuss that while insignificant in size or character has power either to irritate or please. A fly is a fuss; so is a dimple in a girl’s cheek or a figure that goes wrong in accounts. I have even heard him call a child, ‘That dear little fuss.’ Bertram unconsciously imitates his uncle in this peculiar mannerism and is often heard alluding to this or that as a _fuss of fusses_. Indeed they say this use of the word is a peculiarity of the Sylvester family.” * * * * * “I think from the way Mr. Sylvester spoke yesterday, that he must have experienced some dreadful trouble in his life. We were walking in the wards of a hospital—that is, Miss Stuyvesant, Mr. Sylvester and myself—when some one near us gave utterance to the trite expression, ‘O it will heal, but the scar will always remain.’ ‘That is a common saying,’ remarked Mr. Sylvester, ‘but how true a one no one realizes but he who carries the scar.’” * * * * * “It may be imagination or simply the effect of increased appreciation on my part, but it does seem as if Miss Stuyvesant grew lovelier and more companionable each time that I meet her. She makes me think of a temple in which a holy lamp is burning. Her very silences are eloquent, and yet she is never _distraite_ but always cheerful and frequently the brightest of the company. But it is a brightness without glitter, a gentle lustre that delights you but never astonishes. I meet many sweet girls in the so-called heartless circles of society, but none like her. She is my white lily on which a moonbeam rests.” * * * * *